The Thing About Harry (2020) – Review/ Summary (with Spoilers)
“The Thing About Harry” brings us beyond gay couples dealing with trauma and the dramatics of the first time. It’s just about the awkwardness of love.
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“The Thing About Harry” brings us beyond gay couples dealing with trauma and the dramatics of the first time. It’s just about the awkwardness of love.
“Fantasy Island” may surprise you with how it tries to be more than a horror movie and address the trauma of the guests on the island.
“The Photograph” develops a mother/daughter relationship, a romance, as well as explores one woman’s struggle with the concept of love.
While a bit longer than it needs to be, “To All The Boys: P.S. I Still Love You” will stir up your emotions just like the first film.
“Timmy Failure: Mistakes Were Made” is reminiscent of the DCOMs Disney used to produce, but now aimed for a younger generation.
“Into The Dark: My Valentine” seems like it is inspired by the life of internet/music stars Poppy, Titanic Sinclair, and Mars Argo.
“Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)” is part origin story, part reintroduction, and is of the ilk of Marvel’s “Deadpool.”
“Gretel and Hansel” is a strange PG-13 horror that may have wonderful performances, but also has a divisive story.
“The Rhythm Section” desires to be cool, edgy, and give Lively the allowance to be a super spy, but it doesn’t get to complete its mission.
While “The Assistant” may seem like it wants to play upon the multiple #MeToo scandals, it sidesteps sensationalism in its approach.
In a film fit for Valentine’s Day, “What Love Looks Like” brings us the beauty of love as it begins and the mourning period when it is at its end.
“My Hindu Friend” dances around the viewer’s expectations by creating a sexual, emotional, and sometimes utterly weird tale based on Héctor Babenco final year of life.
“The Turning” may have creepy kids, but the jump scares are weak and the ending… well…
“Troop Zero” will have you ugly cry in the way Viola Davis is famous for as you follow Christmas Flint’s journey to becoming permanent.
“A Fall From Grace” will make you wish Netflix had an audio track with comedians giving commentary to substitute a live audience.
While you have to appreciate the sense of ownership, value, and advocacy “Jezebel” presents when it comes to Black bodies, it’s not the most entertaining thing to watch.
Despite the time gap and this being the third entry into the franchise, “Bad Boys For Life” brings you what you’d want, what you’d expect, but not much more.
“Weathering With You” like “Your Name.” plays with your emotions, skips certain details, but is ultimately worth the price to see.
“Underwater” wants to be an emotional and action-packed action film, but it fails too often and its villain is underdeveloped.
Between a man with Alzheimer’s trying to see his first love and his granddaughter who keeps the core family together, you will be in your emotions.
“Ana” is a cute movie that further proves Dafne Keen, of “Logan” and “His Dark Materials” fame, is likely to be first billing for decades to come.
Like “Rings,” the “SaW” remake, and so many other horror franchises that reboots were attempted for, “The Grudge” seems like it shouldn’t have been made.
“Always A Bridesmaid” is everything you could want and more from a romance film.
Somehow an hour and 19-minute film feels so much longer by means that is hard to explain, but we’re going to try.
Spies In Disguise may come off like a kid’s movie, but luckily it remembers who is the person paying for the tickets.
For those who are fans of the Viziepop demon motif, something a bit more child-friendly is released – if your children are into monsters.
Greta Gerwig, Saoirse Ronan, and Timothée Chalamet prove themselves to be a formidable trio and a grouping we should expect for decades to come.
It really is a shame A Rainy Day In New York will struggle to find distribution in the US. For while not Allen’s best work, it is still entertaining.
In what is supposed to be the final film of the Skywalker saga, you get something casual fans may enjoy more than the hardcore ones who never liked this trilogy.
Cherry Tobacco pursues the rarely trodden path of having a young woman and older man with feelings for each other, without feeling exploitative.
Michael Bay’s love for explosions and expensive action scenes mixed with Ryan Reynolds’ humor is a match made in big-budget heaven.
Black Christmas works on multiple levels. It operates as a fairly feminist film, and its incel-like villains produce a decent amount of jump scares.
Jumanji: The Next Level’s desire to go beyond being a fun action-adventure, and have some form of emotional depth, makes its 2-hour run-length a drag.
Hair Love is a nod to those who have kinky, curly hair, and those who help them looking cute.
Into The Dark: A Nasty Piece of Work is likely one of the best entries into the series in a long time.
With Waves, A24 continues to solidify that if it is the distributor, you will get more than a movie or show but an experience that will stay with you after the credits roll.
In Hala, a young woman faces a conflict between her parents, her upbringing, her heart, and control of her future.
Once the film tones down the “Take Down The Patriarchy!” talk, you get a decent holiday movie with lots of awkward relationships and some cringey moments.
Same Time, Next Christmas is a shockingly good romance film, featuring childhood sweethearts.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.