Fractured (2019) – Review, Summary (with Spoilers)
Between characters you may not care to invest in and a plot which would require you to be in a theater to keep your attention, Fractured is a miss.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Between characters you may not care to invest in and a plot which would require you to be in a theater to keep your attention, Fractured is a miss.
Little Monsters surprisingly will make you emotional, laugh, and sometimes believe one of the kids will probably get eaten by a zombie.
While as campy as an Adams Family movie should be, in trying to be modern and hip, this entry performs an exorcism on the spirit of the franchise
Jexi, while hilarious, may also make you want to set up boundaries with your AI assistant. Just as a precaution.
High Strung Free Dance has the performances and production values that will lead you to believe it is in step with Step Up and many classic dance films.
In The Tall Grass has its moments, but also feels like it not only overstays its welcome but doesn’t answer pertinent questions.
In what feels like DC’s answer to Logan, Joker gets an origin story that reminds you why he is one of the top fictional villains of all time.
First Kiss is a surprisingly tame movie. Not just in terms of the romance at the heart of the film, but the drama surrounding it.
In Hello, Privilege. It’s Me, Chelsea, Chelsea Handler shows she means well yet still operates on a limited scope of what white privilege is.
In the vein of Gaspar Noe, you get Joe Begos Bliss. A bloody, sometimes shocking, story about the pains a creative goes through to get a piece finished.
The highly political Sturgill Simpson Presents: Sound & Fury is probably one of the most compelling visual albums you may see for a while.
While Judy is a drag, due to you seeing the icon within months of her untimely demise, Zellweger and Shaw help you understand how difficult life was for Ms. Garland.
In the Shadow of the Moon is written more to be the start of a series than a singular movie – and it shows through its characters.
Abominable may appeal to kids more than adults, but there will be a handful of moments keeping you from using the movie to take a nap.
Under the Eiffel Tower has the chemistry needed to become invested in the needs, but the story presents too many obstacles just to enjoy two people falling in love.
Snatch up some tissues and get your favorite comfort food prepared, The Wedding Year is going to handle your romantic comedy fix.
While the story of Rambo: Last Blood is weak and may cause think pieces, you may find the violence more than compensates.
Despite Polaroid’s original US premiere being cancelled, and its release, stateside, being in limbo ever since, it’s a bit hard to fathom why.
Clive Davis: The Soundtrack of Our Lives hones in so much on the highlights of Davis’ career that it feels like a lifetime achievement award presentation.
I Am Wrath feels like a watered-down Liam Neeson movie that lacks complexity, urgency or gives you any reason to feel attached.
Riot Girls may sometimes feel more like a concept film than a completed vision, but it lays enough of a foundation to be enjoyable.
Tall Girl’s message gets lost due to the pursuit of validating its lead through the affections of a boy.
While The Weekend presents a unique character in Sasheer Zamata’s Zadie, you may struggle to connect with her, or the film as a whole.
The Goldfinch, while definitely longer than it needed to be, is far more enjoyable than some may say.
Hustlers not only proves Constance Wu’s star power, but why Jennifer Lopez has been in the entertainment business for decades.
3 Days With Dad may not be the gut punch you’d expect from a film about a dying father, but it makes for a decent coming of age tale – for a grown man.
68 Kill is a bloody, sometimes comical, all the time ridiculous film that will consistently lead you to wonder: How can they top that?
K-12 takes the example of what a visual album should be up a notch by producing a musical which makes the visuals and music inseparable.
Unlike most Filipino romance films, Just A Stranger has cursing, sensual intimate scenes, and despite the sin at the base of it, you push that aside.
I Used to Be Normal: A Boyband Fangirl Story discussing what makes a boyband fan and their love for them affected their lives.
While IT: Chapter 2 delivers on jump scares, and Bill Hader with one-liners, the adult cast underwhelm when compared to their younger counterparts.
Hot Air is a reminder that beyond the often toxic political dichotomy of American society, there are real people who, sometimes selfishly, just want better.
Seaside is dull, borderline frustrating, until the halfway point and then you are just trying to piece together the bombs dropped.
Tod@s Caen, while long as hell, has a certain charm, and comedic take on courtship, which will keep you from checking your watch.
Thanks to the performances of Storm Reid and David Oyelowo, Don’t Let Go will have you crying and your chest tight due to fear.
Simple, likable, a quick and easy watch. That’s the only way to explain Falling Inn Love.
A woman who, after a one night stand, is obsessed with the guy who has moved on from her and she feels slighted. Sound familiar?
Jacob’s Ladder has performances which make you feel there should have been more to this film than what was delivered.
While, like many Filipino movies which makes it stateside, The Girl Allergic To Wi-fi is a bit cheesy, there is no denying the cute relationship and that it’ll make you cry.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.