Exes Baggage (2020) – Review/Summary (with Spoilers)
Exes Baggage presents your usual will they or won’t they drama as you become so invested in the leads’ relationship you feel as if they must end up together.
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Exes Baggage presents your usual will they or won’t they drama as you become so invested in the leads’ relationship you feel as if they must end up together.
In what may feel like a prequel to “Shiva Baby,” Rachel Sennott is joined by Madeline Grey DeFreece for another awkward funeral situation.
“Dating Amber,” set in 1995, reminds you how much has changed in 25 years as we follow two Irish teens dealing with being ostracized for their sexuality.
A horror movie that is nearly 2 and a half hours – is it worth your time or should you avoid it?
Despite how creepy and seemingly perfect for the season “Cadaver” appears, it fails to live up to what you likely imagined.
Dancing on the tightrope between cringe and funny, “Shiva Baby” presents Rachel Sennott as someone on the cusp of mainstream fame.
In this quiet drama, a young girl, on the brink of puberty, wonders what the end result might be.
“Were You Gay In High School” has the quality and appeal of something you’d think was released on Wong Fu’s YouTube channel due to its comedy and heart.
Coming out isn’t always a delicate procedure, as shown in “Egghead & Twinkie.”
Set to the song “And Then She Kissed Me” by St. Vincent, the short, sharing the song’s name, is a sweet and quick romance made to make you swoon.
“Love and Monsters” reminds you Dylan O’Brien is one of this generation’s top action stars and will likely be the one people compare others to in the future.
“2 Hearts,” at times, may feel like a TV movie that somehow made it to the big screen, but that doesn’t mean it won’t get you in your feelings.
If you love Liam Neeson movies, he delivers a succinct action film in “Honest Thief.”
Like the dying process, “Ms. White Light” has its good moments and bad moments, but ultimately ends with a whisper.
“Walk Away From Love,” strangely, avoids some of the usual tropes you’d expect, but whether that makes it better or not? Well, read on.
“Charm City Kings,” like so many urban dramas, shows the many rare paths it could take but ends up on the well-trodden road.
For years “The War With Grandpa” has seen its release date changed so, does that mean it’s a bad film? Read on.
“Vampires vs. The Bronx” lovingly expands the horror genre, with its charming cast but misses key opportunities to leave a mark.
“Wheels,” as it pushes you into feeling nostalgic for a story that isn’t your own, creates a pleasing lull as you watch a young man fall in love and pursue being a DJ.
As with most of Adam Sandler’s Netflix releases, “Hubie Halloween” will be a welcome addition to Sandler’s fans, and all others will question why “” got cancelled and this funded?
Like “Ne Zha,” “Jiang Ziya” feels like an epic that can appeal to children but doesn’t lose the adults watching in the process.
“Spontaneous” is one of the rare films that aims to make you laugh, feel, and connect that, for the most part, succeeds in everything it set out to do.
“Cut Throat City” has noted performances from T.I. and Terrance Howard but, as for the rest of the movie…
“Secret Society of Second-Born Royals” won’t ease your MCU fix, but it’s good enough on its own to want to see more.
When it comes to “Enola Holmes,” it never escapes its association with Sherlock Holmes, and thus struggles with establishing itself beyond Sherlock’s shadow.
While “The Never List” deserves props for not making sex the key to its lead coming of age, it barely presents anything beyond wasted potential.
“Whipped” may feel longer than it needs to be and has an unnecessary twist, but the end result is what you hope for and expect.
“A Long Time Coming” explores the complexities of Asian Americans and an older generation’s perspective on the Black Lives Matter protests.
The Paramedic is a stern reminder of why closure isn’t needed, no matter what your ex says. Take what you can, and DON’T LOOK BACK!
A film about a young woman trying to get an abortion and keeping it from everyone due to imposed shame – yet it is also a comedy.
The Babysitter: Killer Queen may not have the same pizazz when it comes to kill scenes, but the inclusion of Jenna Ortega does take things up a notch.
While it does follow the usual romantic comedy conventions, between Viswanathan as lead, and the multiple scene-stealing supporting cast, you’ll love The Broken Hearts Gallery.
The Owners is strange in so many ways, but not enough to scare you, creep you out, or be notable.
#Alive, with its small speaking cast, but high stakes, makes for an awesome, albeit simple, zombie movie.
I want you to imagine a documentary in which the subject goes out of their way to go against everything agreed upon and is hellbent on chaos. That’s DTF.
If you don’t have a compromised immune system and the people in your community aren’t reckless, Words on Bathroom Walls is the perfect reason to head back to theaters.
Love, Guaranteed, starring Damon Wayans Jr. and Rachel Leigh Cook, may not become anyone’s go-to romantic comedy, but it’ll undoubtedly be in Netflix’s top 10 for a few weeks.
Freaks – You’re One of Us lays the groundwork for a potential superhero franchise, just on a smaller scale than what we often see.
All Roads to Pearla has all the ingredients necessary to have some element of shock to it, but they just don’t come together as you need them to.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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