Fleabag (NT Live) – Review and Summary with Spoilers
For those who have watched the first season of “Fleabag,” the live rendition is a treat. However, if they haven’t, you may wonder what the hype is about.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
For those who have watched the first season of “Fleabag,” the live rendition is a treat. However, if they haven’t, you may wonder what the hype is about.
Operating on a level of cringe that will make it either hilarious or off=putting, “Love Wedding Repeat” surely isn’t for everyone.
Outside of a short time gap, “Banana Split” is an exploration of female intimacy in both sisterhood and friendships.
“The Ghost Who Walks” is a potential tear-jerker which, if it doesn’t make you cry, at least provides you with a thrill ride.
“Coffee and Kareem” is definitely something mad for those who don’t mind kids cursing or being part of, or around, violent, and sexual, situations for laughs.
“Sincerely Louis CK” is what comes from feeling you have nothing left to lose, so “F*** It.”
“Freshman Year” avoids being heavy-handed or eye-roll-inducing about faith. Rather, it approaches a young man’s faith, and decisions, with a realistic tone.
“Intermedium,” like most shorts, is an appetizer. And like any appetizer, it leaves you wanting more.
“Pretty Little Stalker” will keep you engaged throughout its time length, but I can’t say it should be high up on your watchlist.
“Trixie Mattel: Moving Parts” will remind you of a time when documentaries gave you the behind the scenes look that social media snatched away.
“Uncorked,” sidesteps the usual dealings caused by poverty and racism to explore its leads’ father/son relationship, to sometimes mixed results.
While “Go Back To China” may come off as some silly or light-hearted, as it touches upon Chinese culture and family, it goes so deeper than expected.
With “M.O.M. (Mothers of Monsters)” seeking to flesh out the fear of one parent, we’re reminded how difficult it might be to stop a catastrophe.
“Stargirl” in depicting what happens when you allow yourself to be what others want, brings about one of the best family appropriate live-action films from Disney in ages.
If the Coronavirus is making you paranoid, the pandemic in “Block Z” may not be the best thing for your anxiety.
While not the best bit of social commentary you may hear, “The Hunt” is comical and has one of the best fight scenes you may have seen in a while.
Like the majority of Vin Diesel movies, “Bloodshot” is more so about style than substance. Yet, is still entertaining as hell.
“I Still Believe” with its tear-inducing story will make it so, even if you aren’t a person of faith, you’ll get why some hold onto theirs so tightly – despite it all.
All The Bright Places fulfills your need for butterflies and tears, as most YA novel adaptations do.
Between seemingly exploiting its lead having Asperger’s to an uninspiring mystery, “The Night Clerk” struggles.
In this coming of age tale, everything is about that one chance to make it and if things don’t come together, the worst happening.
“Violet Evergarden I: Eternity and the Auto Memory Doll” reminds you no matter how much time has passed, you can still be strongly affected by a well-developed character.
“The Thing About Harry” brings us beyond gay couples dealing with trauma and the dramatics of the first time. It’s just about the awkwardness of love.
“Fantasy Island” may surprise you with how it tries to be more than a horror movie and address the trauma of the guests on the island.
“The Photograph” develops a mother/daughter relationship, a romance, as well as explores one woman’s struggle with the concept of love.
While a bit longer than it needs to be, “To All The Boys: P.S. I Still Love You” will stir up your emotions just like the first film.
“Timmy Failure: Mistakes Were Made” is reminiscent of the DCOMs Disney used to produce, but now aimed for a younger generation.
“Into The Dark: My Valentine” seems like it is inspired by the life of internet/music stars Poppy, Titanic Sinclair, and Mars Argo.
“Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn)” is part origin story, part reintroduction, and is of the ilk of Marvel’s “Deadpool.”
“Gretel and Hansel” is a strange PG-13 horror that may have wonderful performances, but also has a divisive story.
“The Rhythm Section” desires to be cool, edgy, and give Lively the allowance to be a super spy, but it doesn’t get to complete its mission.
While “The Assistant” may seem like it wants to play upon the multiple #MeToo scandals, it sidesteps sensationalism in its approach.
In a film fit for Valentine’s Day, “What Love Looks Like” brings us the beauty of love as it begins and the mourning period when it is at its end.
“My Hindu Friend” dances around the viewer’s expectations by creating a sexual, emotional, and sometimes utterly weird tale based on Héctor Babenco final year of life.
“The Turning” may have creepy kids, but the jump scares are weak and the ending… well…
“Troop Zero” will have you ugly cry in the way Viola Davis is famous for as you follow Christmas Flint’s journey to becoming permanent.
“A Fall From Grace” will make you wish Netflix had an audio track with comedians giving commentary to substitute a live audience.
While you have to appreciate the sense of ownership, value, and advocacy “Jezebel” presents when it comes to Black bodies, it’s not the most entertaining thing to watch.
Despite the time gap and this being the third entry into the franchise, “Bad Boys For Life” brings you what you’d want, what you’d expect, but not much more.