Spiral (2021) – Review/Summary (with Spoilers)
Spiral: From The Book of SaW is not only one of Chris Rock’s best performances but the best entry into the SaW franchise for quite some time.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Spiral: From The Book of SaW is not only one of Chris Rock’s best performances but the best entry into the SaW franchise for quite some time.
The Water Man is wonderfully cast, but the story doesn’t match up to their talent after a certain point.
Separation tones down the jump scares and rather focus on a creepy set of monsters and its story of revenge.
In this 30-minute horror story, a young man is caught in the loop of a cop killing him in a multitude of ways.
After a 6 year bid, a young man comes home to a party featuring all the people he took a fall for.
At times, Voyagers is the teen romantic drama you didn’t know you needed. Yet, with not always being scientifically sound and not using some characters to their fullest – it does falter.
Closing out the franchise, Violet Evergarden: The Movie gives Violet the closure she has desperately needed and the tears you expect.
The Vault may not be competitive in the heist genre, but It does work as something to watch when nothing else is new or on.
In Tina, we get one last goodbye from the legend who, with books, movies, and a musical about her life, wishes to move on from the past and enjoy the present and future.
Nobody makes for a fun fantasy revenge tale with the type of violence which may make you flinch a little bit.
Caught By A Wave is a simple romance with enough drama to keep it from getting dull, but never enough to make you take situations mentioned too serious.
While Cherry is too damn long, Tom Holland, and especially Ciara Bravo, present the most beautiful, f***ed up love story you might watch for a while.
Come True is one of those polarizing art house films that have this special something about it, but it can easily be lost if you get distracted.
In this “Did they or didn’t they” movie, Trust pushes you to wonder who is a liar and whether the circumstances absolve one from the result?
Yes Day not only makes for a good movie to watch with your kids but may inspire you to implement Yes Day into your family’s routine.
Despite being a theatrical release, something about Long Weekend feels very much like a VoD release that somehow snuck into theaters.
Coming 2 America has its moments, but as it hints itself, like many sequels, it was unnecessary.
Boogie tries to be a coming of age tale, romance, drama, and feature its leads heritage to varying degrees of success.
Chaos Walking doesn’t necessarily utilize Daisy Ridley to its best, but Tom Holland, Mads Mikkelsen, and David Oyelowo compensate for that.
Raya and the Last Dragon acts as a reminder Disney can still make impactful original productions that will not only make you cry but be added to their collection of classics.
The United States vs. Billie Holiday all boils down to Andra Day as Billie Holiday, and playing on the hatred of the FBI you surely have by now watching these stories.
Stealing School may make you fearful of computer science majors as you watch one do whatever it takes to graduate.
Billie Eilish: The World’s A Little Blurry acts as a reminder of not only the brilliance of Eilish, but of her age, frailty, and how a small team made a world-renowned artist.
If you’re missing the big-budget productions Hollywood is too scared to release theatrically, A Writer’s Odyssey can help you with your fix.
The Map of Tiny Perfect Things is an imperfect romance film, which takes almost an hour to differentiate itself and keep you from growing tired of the film’s loop.
Is it weird to think a movie is way too long yet still be crying when it ends? That’s how we feel about To All The Boys: Always and Forever.
Little Fish will leave you wondering why all the best romances are constricted by tragedy.
Malcolm & Marie pushes you to understand the complicated middle before a relationship comes to an end.
Who of us didn’t want to spend more time with our parents, specifically see what they did when we weren’t around? That’s what Kati gets to do in Bambirak.
An absent father finds himself working the wedding of the daughter he never got to know.
When your father is the epitome of masculinity, what does it say about you if you aren’t a spitting image of that?
Like nearly every well-crafted film about Black oppression in America, Judas and the Messiah will enrage you, tire you out, and make you hope J. Edgar Hoover and his enablers, rot in hell.
The 16 minutes of Jason Park’s BJ’s Mobile Gift Shop will leave you demanding a full-length feature film, featuring Johnnyboy Tellem before 2021 is over.
Ava From My Class pushes you to wonder where the line between admiration and a crush is for its young lead.
Dealing with insurance companies can often be hell, but surely if you see the agent face to face, they’ll help you right?
If you thought McG’s The Babysitter series was over the top and crazy, Manuel Crosby and Darren Knapp respond with “Challenge accepted” with First Date.
Mayday touches on the personal war one has within themselves and every single voice or person we see as holding us back – including our own.
Marvelous and the Black Hole, while it can come off as an angsty teenage film, it doesn’t push its lead to move on or get over it but harness that anger into something good.
While the sometimes volatile intimacy between Ruth Negga and Tessa Thompson makes Passing interesting, you may not feel it confronts the subject matter as you want.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.