Us (2019) – Summary, Review (with Spoilers)
Us, at first, circumvents a lot of what you expect from a horror/thriller. However, after a while, it overstays it’s welcome and its ending? Well…
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Us, at first, circumvents a lot of what you expect from a horror/thriller. However, after a while, it overstays it’s welcome and its ending? Well…
While Burn Out has exhilarating races, which may give you a tad bit of anxiety, everything else is very run of the mill.
When The Yogurt Took Over is a bit of an anomaly since it doesn’t feature love, robots, and arguably no death. So, is it good?
Sucker of Souls is quite gory and a tad bit comical. However, it is towards the bottom of the Love, Death & Robots ranking.
Cartoon graphics mix with life or death situations creating moments that make you hold your breath in Suits.
In The Witness, we get what feels like a pitch to a much more complicated movie.
Three Robots is a quirky short which ends just before it could perhaps go left and overstay its welcome.
Sonnie’s Edge, thanks to its protagonist, the monster fights, and what background we get, makes you clamor for more.
Five Feet Apart not only delivers the expected tears but the kind of performances which legitimize the YA genre beyond predecessors.
Madonna and the Breakfast Club takes a rarely seen approach to fleshing out a icons career in the best way.
I’m Not Here, as it traces its lead’s downfall, stirs up your emotions until tears spill out your eyes.
Juanita is the type of role and movie you’ll wish Alfre Woodard and her peers got to experience far more often.
Captain Marvel nods towards being the first female-led Marvel movie, but other than that, it’s what fans of the MCU are long used to for better and worse.
The Hard Way pushes you to wonder why Michael J. White isn’t an action star with decent budget movies, beyond Spawn, in his filmography?
Despite being a horror movie which had no marketing, and seems cheesy, Haunting on Fraternity Row is surprisingly good.
Stray is a semi-low budget sci-fi film which focuses more on the cop seeking to redeem herself than the powerful girl, and her family.
While the high that comes from the music and dancing is ecstasy, once the high comes down, Climax pursues shock value to keep you stimulated.
Level 16 could be used to talk about feminism and autonomy, but from an entertainment perspective? It’s a bit of a bore.
Madea’s final bow may be a slight disappointment, but the laughs will remind you of why you fell in love with the character.
The Changeover is a simple, slightly grim tale which may lack flair, but does leave you wanting more.
Alone/Together is a bit forgettable, but makes for a breezy watch, as most Philippines based romances do.
Isn’t It Romantic is not only comical but finds an appropriate way to address what it is like to be a woman who is plus sized without making her the joke.
Alita: Battle Angel may have stunning action and special effects, but it’s mostly for naught since the emotional element is very hit and miss.
Happy Death Day 2U may feel like an unnecessary sequel, but it is nevertheless a fun time.
Untogether avoids the sisterhood you’d want to see develop for them to deal with their older boyfriends, and possibly their daddy issues.
The Prodigy barely meets the expectation of at least having quality jump scares, leaving you feeling disappointed in a multitude of ways.
While I Want To Eat Your Pancreas is a bit heavy-handed about its lead character’s death, at first, it’ll still find a way to leave you in tears.
The Unicorn, in many ways, is like your first time. Awkward, slightly comical, but unlike many people’s first times, it lasts a bit too long.
What Men Want may be a reimagining of What Women Want, but Taraji P. Henson not only makes the movie premise her own but brings a truly hilarious experience.
Anywhere With You is an adorable movie which shows the challenges a young, newly to LA couple, deal with over the course of 24 hours.
Likely, by the end of Then Came You, you’ll be crying from both eyes, have snot on your upper lip, and will have a trembling lip.
Velvet Buzzsaw barely lives up to the expectations of what you expect from a horror, lacks the urgency of a thriller, and is mostly just posh art world drama.
Fighting With My Family is touching, hilarious, and has the kind of journey we’ve only gotten to enjoy in boxing films for the last few years.
Between Miss Bala being curbed to PG-13, and lacking shades of grey, while entertaining, it isn’t necessarily a must see.
Animas’ teen drama and psychological aspects, when combined, neither provides a quality thriller nor horror.
When Polar tries to be funny, it veers towards being a horrible movie. However, when it is harnessing the seriousness of Mikkelsen’s persona, it flourishes
Lady-Like has the vibe of a web series and it being a movie is ultimately upsetting for you are left wanting more.
An Acceptable Loss builds upon the patriotism of movies released in the past and questions what is justifiable so Americans can feel safe?
The loneliness of a dilapidated Earth is the focus IO, a rather dry sci-fi drama that could have been better than what was delivered.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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