Lost Transmissions – Summary, Review (with Spoilers)
Lost Transmissions shows the line between proving yourself as a storyteller doesn’t always coincide with delivering the intended message.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Lost Transmissions shows the line between proving yourself as a storyteller doesn’t always coincide with delivering the intended message.
Sabrina Carpenter proves herself to be more than a name to get financing but a performer worth the ticket price.
Is a movie about a reclusive writer, with limited social skills, and a young woman, with limited life skills worth seeing? Read our review to know.
As Phase 3 comes to an end, both casual and hardcore fans are reminded of the power of the MCU and that this is, in fact, the Endgame.
In preparation for the full-length Netflix release, we checked out the See You Yesterday short available on HBO until May 1st.
His Father’s Voice is the rare ode to the influence a father’s love has on a person, as well as the richness of Indian culture.
One of two things comes from Someone Great: Wanting to call your best friends and say you love them, or wishing you have best friends you could call.
Thriller works better as a comedy than anything remotely close to a horror, and as long as you come in knowing that you should be fine.
While you can see each actor giving it their all, there is a bit of a disconnect which may not allow you to get as emotional as they get.
A beautiful love story mixes in with a political message to create the wonderful Guava Island.
After hopes between an English accent, a troubled boy, and a girl you could live vicariously through, it may be able to keep your attention.
If you liked Netflix’s previous teen rom-coms, The Perfect Date will be the perfect way to start your weekend with some butterflies.
While reimagining classic films usually deserve a side-eye, Little brings something completely new and leaves you feeling like it is long overdue.
Led by Giancarlo Esposito, the emotional, sometimes comical, Stuck shows what happens when people are forced to interact in a small space.
Remember how lucky/prepared the families were in Bird Box & A Quiet Place? Imagine a family who wasn’t as fortunate going through a similar apocalypse.
Native Son is the type of movie which will have you questioning its lead’s common sense throughout the whole damn movie.
The Dump keeps up the weird vibe of the rest of the anthology but decides it wants to get a bit rustic, and not in a farm life kind of way.
Good Hunting will likely be one of your favorite shorts to come out of the Love, Death + Robots anthology.
Beyond the Aquila Rift may feel like it cut the bulk of a larger story, but the way it makes you fiend for details is part of the sell.
Long Lost will slowly, but surely, make you question what is happening as things for our lead, Seth, go from weird to you verbally saying “What the f***?”
Confessional has a sense of intimacy which allows each character to personally unfurl to you and deepen the mystery and reveal of the truth.
Shazam! borrows from what you expect from Marvel, adds a touch of Deadpool, but then reminds you DC us the big brother Marvel has long borrowed from.
Us, at first, circumvents a lot of what you expect from a horror/thriller. However, after a while, it overstays it’s welcome and its ending? Well…
While Burn Out has exhilarating races, which may give you a tad bit of anxiety, everything else is very run of the mill.
When The Yogurt Took Over is a bit of an anomaly since it doesn’t feature love, robots, and arguably no death. So, is it good?
Sucker of Souls is quite gory and a tad bit comical. However, it is towards the bottom of the Love, Death & Robots ranking.
Cartoon graphics mix with life or death situations creating moments that make you hold your breath in Suits.
In The Witness, we get what feels like a pitch to a much more complicated movie.
Three Robots is a quirky short which ends just before it could perhaps go left and overstay its welcome.
Sonnie’s Edge, thanks to its protagonist, the monster fights, and what background we get, makes you clamor for more.
Five Feet Apart not only delivers the expected tears but the kind of performances which legitimize the YA genre beyond predecessors.
Madonna and the Breakfast Club takes a rarely seen approach to fleshing out a icons career in the best way.
I’m Not Here, as it traces its lead’s downfall, stirs up your emotions until tears spill out your eyes.
Juanita is the type of role and movie you’ll wish Alfre Woodard and her peers got to experience far more often.
Captain Marvel nods towards being the first female-led Marvel movie, but other than that, it’s what fans of the MCU are long used to for better and worse.
The Hard Way pushes you to wonder why Michael J. White isn’t an action star with decent budget movies, beyond Spawn, in his filmography?
Despite being a horror movie which had no marketing, and seems cheesy, Haunting on Fraternity Row is surprisingly good.
Stray is a semi-low budget sci-fi film which focuses more on the cop seeking to redeem herself than the powerful girl, and her family.
While the high that comes from the music and dancing is ecstasy, once the high comes down, Climax pursues shock value to keep you stimulated.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.