Polaroid (2019) – Review (with Spoilers)
Despite Polaroid’s original US premiere being cancelled, and its release, stateside, being in limbo ever since, it’s a bit hard to fathom why.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Despite Polaroid’s original US premiere being cancelled, and its release, stateside, being in limbo ever since, it’s a bit hard to fathom why.
Clive Davis: The Soundtrack of Our Lives hones in so much on the highlights of Davis’ career that it feels like a lifetime achievement award presentation.
I Am Wrath feels like a watered-down Liam Neeson movie that lacks complexity, urgency or gives you any reason to feel attached.
Riot Girls may sometimes feel more like a concept film than a completed vision, but it lays enough of a foundation to be enjoyable.
Tall Girl’s message gets lost due to the pursuit of validating its lead through the affections of a boy.
While The Weekend presents a unique character in Sasheer Zamata’s Zadie, you may struggle to connect with her, or the film as a whole.
The Goldfinch, while definitely longer than it needed to be, is far more enjoyable than some may say.
Hustlers not only proves Constance Wu’s star power, but why Jennifer Lopez has been in the entertainment business for decades.
3 Days With Dad may not be the gut punch you’d expect from a film about a dying father, but it makes for a decent coming of age tale – for a grown man.
68 Kill is a bloody, sometimes comical, all the time ridiculous film that will consistently lead you to wonder: How can they top that?

The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.