A Christmas Intern (2023) – Review and Summary
Lifetime’s “A Christmas Intern” is a fine but forgettable holiday romance.
I’m a filmmaker and writer that can cook a mean plate of pasta and always meet a deadline. When I write, I most likely have a cat on my lap. If I’m not watching movies, I’m writing about movies. If I’m not writing about movies, I’m making them. If you want to see more of my work or have something you think I should see, just reach out!
Lifetime’s “A Christmas Intern” is a fine but forgettable holiday romance.
Like Leonard Bernstein himself, Bradley Cooper’s “Maestro” stays intriguing and frustrating in what it decides to show and hide about the legendary composer.
The cast and crew all seem to be part of this bad action movie as a “Last Resort.”
Netflix’s “Yu Yu Hakusho” may satisfy anime or manga fans, but for those new to Yusuke’s spirit adventures, the live adaptation will be a head-scratching mess.
A cast and character guide for Netflix’s “Yu Yu Hakusho.”
“Lord of Misrule” excels at setting the tone for a frightening time, but after a while, the shadows and masks can be tiresome.
“The Sacrifice Game” starts promising but by the end, the real crime is sacrificing time to watch this movie.
Bollywood takes on the Archie comics in Netflix’s clever and creative “The Archies.”
“How the Gringo Stole Christmas” is a prime example of how not to shoot a comedy.
Hulu’s “The Artful Dodger” is an unnecessary spin-off of “Oliver Twist,” but great characters and acting make it fun escapism.
This is a cast and character guide for Hulu’s “The Artful Dodger.”
Let the “The Holdovers” be your family in what’s possibly my favorite movie this year.
Netflix’s “A Nearly Normal Family” is a nearly normal crime story these days.
A cast and character guide to Netflix’s crime thriller “A Nearly Normal Family.”
Who is “Good Burger 2” for? Kenan and Kel are having too much flipping burgers to answer.
“Maxine’s Baby,” is an inspirational depiction of how Tyler Perry built a film empire, but it also glorifies Perry and gives little insight into the serious critique against some of his characters.
Connie Cocchia’s “When Time Got Louder” is a gentle and heartfelt coming-of-age movie and family drama.
“Best. Christmas. Ever!” might be the worst. movie. this year!
Matthias Hoene and Neil Linpow’s “The Last Exit” is a good rainy day movie with plenty of twists and thrills.
Michael Farris Smith and the Phillips Brothers’ “Rumble Through the Dark” makes some bold choices in storytelling, but they don’t quite pay off.
Netflix’s “The Killer” showcases David Fincher at his most wry and ruthless. Fedoras and Hawaiian shirts have never been so menacing.
“Helen’s Dead” is a murder mystery, but the real mystery is why anyone would want to be in this movie.
Christopher Zalla and Eugenio Derbez’s “Radical” is based on a true story, but it’s a story audiences have seen plenty of times.
Hulu’s “Quiz Lady” squanders the comedy talents of Sandra Oh and Awkwafina to deliver a movie meant to play in the background.
Netflix and Melanie Laurent’s “Wingwomen” is a fun but forgettable action-comedy that is light in drama and plot.
Prime Video’s “Everybody Loves Diamonds” should be a slick ride, but a heist story told in 8 episodes makes the ride stop-and-start.
A character guide for Prime Video’s “Everybody Loves Diamonds,” with character descriptions, names of actors, and more.
Martin Scorsese’s “Killers of the Flower Moon” is a disturbing yet necessary story depicting genocide in Osage County and the horrors of greed.
Juan Sebastian Torales’ “Almamula” demonstrates that for gay youth, religion can be far scarier than the demons it preaches about.
Zeno Graton’s “The Lost Boys” is an LGBTQ+ drama that creates a lovely atmosphere within a juvenile hall, but you may wonder where exactly this story is headed.
Sandra Itäinen and Eman Abdelhadi’s documentary “Coming Around” displays the pain and beauty of generational change and intersectionality for a Muslim gay woman.
Jason Karman and Gorman Lee’s “Golden Delicious” is a fine coming-of-age story with a coming-out story we’ve seen all too often.
Luke Gilford’s queer cowboy movie “National Anthem” exudes so much warmth that it bursts from the screen and wraps its arms around you.
Mike Flanagan’s “The Fall of the House of Usher” is an entertaining and ghoulish time, but fans of Edgar Allan Poe’s classics may roll their eyes.
A cast and character guide to Mike Flanagan’s “The Fall of the House of Usher,” now streaming on Netflix.
Nathan Fielder and Benny Safdie’s “The Curse” holds up a mirror to our fascination with reality TV and fabricated feel-good moments.
“Vindicta” is a Latin term that refers to “just revenge,” yet after watching “Vindicta,” viewers might want to enact their own justified revenge on the filmmakers.
Sean Price Williams and Nick Pinkteron’s “The Sweet East” is equally a fantastical road trip and giant trolling effort.
Ryûsuke Hamaguchi’s “Evil Does Not Exist” is a quiet film that whispers questions that can linger long after the film ends.