Everybody Loves Diamonds- Character Guide
A character guide for Prime Video’s “Everybody Loves Diamonds,” with character descriptions, names of actors, and more.
I’m a filmmaker and writer that can cook a mean plate of pasta and always meet a deadline. When I write, I most likely have a cat on my lap. If I’m not watching movies, I’m writing about movies. If I’m not writing about movies, I’m making them. If you want to see more of my work or have something you think I should see, just reach out!
A character guide for Prime Video’s “Everybody Loves Diamonds,” with character descriptions, names of actors, and more.
Martin Scorsese’s “Killers of the Flower Moon” is a disturbing yet necessary story depicting genocide in Osage County and the horrors of greed.
Juan Sebastian Torales’ “Almamula” demonstrates that for gay youth, religion can be far scarier than the demons it preaches about.
Zeno Graton’s “The Lost Boys” is an LGBTQ+ drama that creates a lovely atmosphere within a juvenile hall, but you may wonder where exactly this story is headed.
Sandra Itäinen and Eman Abdelhadi’s documentary “Coming Around” displays the pain and beauty of generational change and intersectionality for a Muslim gay woman.
Jason Karman and Gorman Lee’s “Golden Delicious” is a fine coming-of-age story with a coming-out story we’ve seen all too often.
Luke Gilford’s queer cowboy movie “National Anthem” exudes so much warmth that it bursts from the screen and wraps its arms around you.
Mike Flanagan’s “The Fall of the House of Usher” is an entertaining and ghoulish time, but fans of Edgar Allan Poe’s classics may roll their eyes.
A cast and character guide to Mike Flanagan’s “The Fall of the House of Usher,” now streaming on Netflix.
Nathan Fielder and Benny Safdie’s “The Curse” holds up a mirror to our fascination with reality TV and fabricated feel-good moments.
“Vindicta” is a Latin term that refers to “just revenge,” yet after watching “Vindicta,” viewers might want to enact their own justified revenge on the filmmakers.
Sean Price Williams and Nick Pinkteron’s “The Sweet East” is equally a fantastical road trip and giant trolling effort.
Ryûsuke Hamaguchi’s “Evil Does Not Exist” is a quiet film that whispers questions that can linger long after the film ends.
Josh Sharp and Aaron Jackson’s “Dicks: The Musical” is gross, horrid, and very funny. If you ever wanted to see John Waters’ version of The Parent Trap, this movie is for you.
Kjersti Helen Rasmussen’s “Nightmare” creates a creepy atmosphere, but has a more sleepy than scary execution.
Netflix’s Spanish-language survival movie “Nowhere” is a great showcase for Anna Castillo, but a familiar story that doesn’t live up to its dystopian premise.
“Here Lies Love” is a funky history lesson with heart to spare, and it signals the potential create future that Broadway has to offer.
The WGA strike is now over, but what did they get, why is it important, and how does it impact us as viewers?
Ramon Felipe Pesante and Jenni Ruiza’s “Playing Sam” is a strong showcase for Ruiza’s talents and a love letter to any struggling artist.
Aristotle Torres’ “Story Ave” provides a soulful depiction of the Bronx and career-best performances for Luis Guzman and Asante Blackk.
“A Million Miles Away” may not soar as a biopic, but Michael Peña gives a career-best performance José M. Hernández.
Michael Jai White’s “Outlaw Johnny Black” is a good silly 90-minute western trapped in a 2-hour middling movie.
Netflix’s “Burning Body” tells the spicy story of Rosa Peral, but fizzles out halfway through.
A cast and character guide to Netflix’s “Burning Body.”
Netflix’s “Dear Child” starts with heart-racing suspense, but your heartbeat slows as the mystery drags to a disappointing ending.
A cast and character guide to Netflix’s “Dear Child.”
Lee Whittaker’s “The Vigilante” is a timely action story about hunting down child traffickers. But it’s heavy on the action and less on the story.
Fares Fares writes, directs, and stars in “A Day and a Half,” a white-knuckle powerhouse drama that shouldn’t be missed.
Netflix’s “One Piece” adaptation is like Iñaki Godoy’s Luffy: scrappy, energetic, and underdog to cheer for. Newcomers and fans should take this voyage together.
A cast and character guide to Netflix’s great “One Piece” adaptation.
Lisa Arnold and Kate Larson’s “Into the Spotlight” is cheerful and sunny even in its darkest moments, but the movie spreads itself thin and doesn’t explore its key ingredients in enough detail.
“Deltopia” may be the least fun movie about a party that I’ve ever seen, and writers Michael Easterling and Jaala Ruffman make college seem like a place you never want to go.
Max Gold’s “Belle” is a beautiful and violent adaptation of “Beauty and the Beast” that creates its own individual magic by the end.
Emile Hirsch may be out to save Israel in “The Engineer,” but he can’t save this movie from being a disappointing thriller.
Blue Beetle’s emphasis on family makes this superhero movie the most fun origin story in a long time and a surprising late summer treat in theaters.
“The Monkey King” is like its title character: a whole lot of style with very little substance.
Peter Berg’s “Painkiller” is a loud and flashy depiction of the grim opioid addiction in the United States. It can be painful to watch for the worst possible reasons.
“Gran Turismo” is a well-told but predictable underdog story that coasts to the finish line.
Netflix and Gal Gadot’s “Heart of Stone” is a disappointing spy film without any heart put into the script or action.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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