Fatal Seduction (2023) – Part 2: Review and Summary (with Spoilers)
“Fatal Seduction” ends with less sex, more violence, and a frustrating conclusion to its mystery.
I’m a filmmaker and writer that can cook a mean plate of pasta and always meet a deadline. When I write, I most likely have a cat on my lap. If I’m not watching movies, I’m writing about movies. If I’m not writing about movies, I’m making them. If you want to see more of my work or have something you think I should see, just reach out!
“Fatal Seduction” ends with less sex, more violence, and a frustrating conclusion to its mystery.
A cast and character guide to the South African soap opera, “Fatal Seduction.”
“Corner Office” is a dark comedy starring John Hamm as a disgruntled employee, but you may be just as disgruntled after watching this movie.
“Zom 100: Bucket List of the Dead” is a joyous and bonkers live-action adaptation of the manga. The movie celebrates friendship, dreams, and plenty of zombies.
“A Perfect Story” is a Spanish romantic comedy with charming leads in Álvaro Mel and Anna Castillo that remind you of all the fun and messiness of falling in love.
“Big Nunu’s Little Heist” is a South African gem of a movie.
See Jackie Chan and John Cena sit down and talk a lot in “Hidden Strike,” a movie that has had a stalled post-production for 5 years.
“The Beanie Bubble” is a comedic and dramatic tale about the ’90s Beanie Baby mania, but it’s light on comedy and drama.
The first season of Soo Hugh’s “Pachinko” may have been released a year ago, but if you want to be swept by a drama, you need to watch this show.
This is a character guide for Apple TV Plus’ “Panchinko” with character descriptions, names of actors, and more.
The great talent and interesting concept in “Natty Knocks” can’t create the chills and jumps needed for this to be a memorable scary movie.
In honor of “Final Destination 6,” here are six potential fears the new movie can build death traps around.
“Barbie” and “Oppenheimer” may be all over the news, but Juel Taylor’s “They Cloned Tyrone” is an inventive joy that shouldn’t be missed.
Christopher Nolan has turned one of the most complicated scientists and his horrific creation into a blockbuster movie. The result is a beautifully shot film that pushes Nolan into exciting experimental territory, but an icky feeling of Hollywood tropes may take you out of the film.
Anyone who has been part of a theater production will recognize any of the shenanigans that take place in Theater Camp, a funny love letter to young thespians.
“The Flood” isn’t as bad as one might think, but because of a dull story, it’s more boring than it should be.
Kellan Lutz and Torrey DeVitto star in “Divertimento,” a twisty tale about how the games we play can turn deadly. Keyvan Sheikhailshai’s short film has plenty of intrigue and flair to be a full-length film.
The issue with “Mission: Impossible- Dead Reckoning Part One” is that, like its title suggests, the plot and exposition can be so dense that the audience may yawn or laugh.
“The Horror of Dolores Roach” boasts a great cast ready to bite into the show’s bloody premise, but its tone shifts into systemic problems and landing a second season ruin a potentially good single season.
This is a character guide for Prime Video’s “The Horror of Dolores Roach,” with character descriptions, names of actors, and more.
Netflix’s “Fatal Seduction” is a South-African soap opera that’s filled with plenty of spicy sex scenes, but not enough excitement in its murder mystery.
The lack of a coherent plot and action in “The Dial of Destiny” brings Indiana Jones to a frustrating and disappointing end.
“Murder City” is a movie with fine actors and cinematography that’s in search of a more riveting story.
“I’m a Virgo” is Boots Riley’s satire of superheroes while confronting capitalism in a 13-foot-tall character. It’s bonkers in the best way.
A character guide for Boots Riley’s “I’m a Virgo” with character descriptions, quotes, names of actors, and more.
From Psycho’s Norman Bates to Marvel’s Thanos, villains can be sympathetic, horrific, funny, or characters the audience loves to hate. Here are 10 villains that deserve their own movie.
“Sheroes” is the generic yet less entertaining version of Spring Breakers, with more guns and less sense. If I could walk out of this movie, I would.
“Cinnamon” packs multiple genres and cinematic flourishes within its 90 minutes that will leave your mouth agape, shaking your head, sometimes laughing, but never looking away.
“The Mecca of Comedy” is an intriguing look into the DC comedy scene, but it could use another edit and more comedy.
“Boca Chica” is a gorgeous, painful, yet sobering look at the lies families tell themselves in order to survive.
“Blood for Dust” is a moody film that examines upwards mobility in America, yet the movie struggles to give you a reason to care for its protagonist.
“Surrounded” is a terrific and brutal showcase for Letitia Wright and Jamie Bell with gorgeous scenery in this Western.
“Let the Canary Sing” is an intimate portrayal of struggle and joy for Cyndi Lauper’s voice and activism.
David Gelb and Disney’s “Stan Lee” is a sweet yet flawed and watered-down documentary about the Marvel creator’s life that becomes more interested in the superheroes rather than Lee himself.
Mary Herron and John C. Walsh’s “Dalíland” portrays the life of one of art’s most celebrated and inspiring figures with a tame and uninspiring story.
“The Secret Kingdom” is a fantasy story for the family with unique visuals and character designs. Yet you’ll feel like you’ve seen this story before.
Georgia Oakley’s “Blue Jean” is an honest, complex, and relevant portrait of how anti-LGBT laws impact the individual.
D.W. Medoff’s “Pollen” is a horror film that doesn’t frighten you with scares, but chills you with its authentic portrait of trauma.
Tina Satter’s direction and Sidney Sweeney’s performance create a terrifying yet true nightmare in “Reality.”
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Pages