Ashes (2024) – Review and Summary
“Ashes” is more grey dirt than fire in Netflix’s new Turkish romance/thriller.
Author: Austin Estrada
I'm a filmmaker and writer that can cook a mean plate of pasta and always meet a deadline. When I write, I most likely have a cat on my lap.
If I’m not watching movies, I’m writing about movies. If I’m not writing about movies, I’m making them.
If you want to see more of my work or have something you think I should see, just reach out!
Bleeding Love (2024) – Review and Summary
“Bleeding Love” takes on a road trip that’s kept engaging by Ewan and Clara McGregor’s performances.
No Way Up (2024) – Review
“No Way Up” feels like a fine survival drama trapped in a B-movie shark thriller.
The Vince Staples Show (2024) – Review
Netflix’s “The Vince Staples Show” plays out like a Saturday morning cartoon for adults.
Double Blind (2024) – Review and Summary
“Double Blind” is an intriguing experiment for viewers, but it wavers between making you a thrilling participant and passive observer.
Marmalade (2024) – Review
Keir O’Donnell’s “Marmalade” is a madcap heist movie with plenty of charm and originality to boot.
Lola (2024) – Review and Summary
Life goes from bad to worse in Nicola Peltz’s messy directorial debut, “Lola.”
Orion and the Dark (2024) – Review and Summary
Netflix’s “Orion and the Dark” is a colorful display of our childhood fears and a movie Pixar wish it had made.
Calamity Jane (2024) – Review and Summary
“Calamity Jane” feels like 90 minutes of people doing cosplay.
Veni Vidi Vici (2024) – Review and Summary
Daniel Hoesl and Julia Niemann’s dark satire “Veni Vidi Vici” begins with an extreme premise and no where else to go afterwards.
