Before I Change My Mind – Coming Of Age In A Binary World
In the late 1980s, a non-binary person has just moved to Canada and while non-binary, they aren’t ace so crushes arise and sometimes makes things complicated.
In the late 1980s, a non-binary person has just moved to Canada and while non-binary, they aren’t ace so crushes arise and sometimes makes things complicated.
“Welcome Home, Franklin” does more than give Franklin Armstrong’s backstory; it reminds you of when you were young, yearning for a friend, and found that perfect person.
“In The Summers” is an almost bittersweet look at the relationship between a father and his daughters, as you question if his imperfections may sour their relationship to the point of abandonment.
“Time Still Turns The Pages” will make you cry for slightly unexpected reasons and delivers perhaps one of the best juvenile performances.
“Monster,” as it shifts perspectives from one character to the next, pushes you to ask who the real monster of this story is.
A half-Tongan girl is being raised by her White mother, surrounded by her mother’s family, and finds herself enchanted by a pocket of her father’s culture in a local market.
“Starling” balances being cute and sad as a young spirit returns home for their birthday.
“Fairytales” is an exception to what you usually get when you see a young person in that it isn’t a coming-of-age tale or a sterile children’s story, but what it is like to be a kid.
“Corvine” reminds you how much the support of parents matters when you are a little kid.
“Daddy Issues” is a reminder of the awkwardness which can come the final stages of coming-of-age.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.