An Almost Christmas Story (2024): Review and Summary
“An Almost Christmas Story” is the perfect way to start the season, especially if you have little ones.
“An Almost Christmas Story” is the perfect way to start the season, especially if you have little ones.
“The Best Christmas Pageant Ever” is a tear-inducing movie that reminds us that it really only takes one person, giving grace and kindness, to change the hearts of many.
“Young Hearts” delivers the type of innocent, first love you rarely see since most LBTQ+ romances are about kids well into their teens who see the pinnacle of any potential relationship as having sex.
“Dragonkeeper” focuses on a young girl who is tasked with rescuing a baby dragon, and discovering her true fate, not the assumed one of being a servant.
Starring Ryan Reynolds, Cailey Fleming, and John Krasinski, in this theatrical release, prepare to cry as a young girl deals with her father needing surgery and imaginary friends grieving over being forgotten.
Set in 1992, Chicago, specifically the – projects “We Grown Now,” is a coming-of-age film with few peers to compare it to quickly.
In the late 1980s, a non-binary person has just moved to Canada and while non-binary, they aren’t ace so crushes arise and sometimes makes things complicated.
“Welcome Home, Franklin” does more than give Franklin Armstrong’s backstory; it reminds you of when you were young, yearning for a friend, and found that perfect person.
“In The Summers” is an almost bittersweet look at the relationship between a father and his daughters, as you question if his imperfections may sour their relationship to the point of abandonment.
“Time Still Turns The Pages” will make you cry for slightly unexpected reasons and delivers perhaps one of the best juvenile performances.
“Monster,” as it shifts perspectives from one character to the next, pushes you to ask who the real monster of this story is.
A half-Tongan girl is being raised by her White mother, surrounded by her mother’s family, and finds herself enchanted by a pocket of her father’s culture in a local market.
“Starling” balances being cute and sad as a young spirit returns home for their birthday.
“Fairytales” is an exception to what you usually get when you see a young person in that it isn’t a coming-of-age tale or a sterile children’s story, but what it is like to be a kid.
“Corvine” reminds you how much the support of parents matters when you are a little kid.
“Daddy Issues” is a reminder of the awkwardness which can come the final stages of coming-of-age.
“The Secret Kingdom” is a fantasy story for the family with unique visuals and character designs. Yet you’ll feel like you’ve seen this story before.
“Are You There God, It’s Me Margaret” is the kind of coming-of-age story that isn’t produced enough with this amount of marketing.
Lively animation cannot redeem underdeveloped characters and overstuffed references in the disappointing Super Mario Bros Movie.
“Let The Right One In” completes its first season with few blemishes as it presents an emotional story with violence, love, and sacrifice.
“Aftersun” is a dry, slice-of-life family movie that makes you wonder if you missed something of note while watching.
Male intimacy, and what western society is still adjusting to, makes “Close” a notable exploration of a loving friendship between two boys.
The third adaption of John Ajvide Lindqvist’s novel brings a heart not seen as strong in the previous movie adaptations.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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