Stars At Noon (2022) – Review/ Summary (with Spoilers)
“Stars At Noon” leans on Margaret Qualley as a crutch, to the point of you imagining it bending and damn near breaking by the end of the film.
“Stars At Noon” leans on Margaret Qualley as a crutch, to the point of you imagining it bending and damn near breaking by the end of the film.
“Bro” lives up to the hype and precedent it wants to set as one of the biggest gay romantic comedies, if not one of the best romantic comedies.
“My Best Friend’s Exorcism” is a run-of-the-mill horror film that lacks scares but does attempt to have a sweet friendship at its center.
It’s the start of horror movie season, and “Smile” is a good way to start your annual fix.
“Don’t Worry Darling” solidifies Olivia Wilde’s name as someone who can be trusted when they’re noted as the director.
“Pearl” is an origin story more geared towards being a streaming release than a theatrical one.
While “Margaux” has visual effects not up to the grade you might be used to, the cast and story will keep you around until the end.
“About Fate” is a cute and simple romantic comedy with minor dramatic elements that has the potential to make you swoon a bit.
“Barbarian” has quality jump scares and freaky moments, but it leaves so many questions.
“Into The Deep” lacks the level of mystery needed to make its small cast flourish.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.