Bring Her Back (2025) Review & Summary
Bring Her Back makes you question what is justifiable when people say, “I’d do anything for my child.”
Bring Her Back makes you question what is justifiable when people say, “I’d do anything for my child.”
Final Destination: Bloodlines feels less like a grand return for the Final Destination franchise and more like an acceptable new entry, like it never left.
The Weeknd faces an unhinged fan in a fever dream of a movie called Hurry Up Tomorrow.
Shadow Force wastes Kerry Washington and Omar Sy’s chemistry on some of the most mediocre villains ever seen in a wide theatrical release.
Clown In A Cornfield is the type of horror comedy that can get a bit corny or campy at times, but if you live for blood, guts, awkward moments, sarcasm, and eyebrow-raising, this is for you.
Tapping into the first-generation American experience, and all it takes to make it in America, you get Rosario, which reminds you some sacrifices are paid for in blood.
While it may placate your fix for violent horror movies, Until Dawn doesn’t deliver the characters or story for repeat viewings.
While the banter between Lively and Kendrick remains a high point, Another Simple Favor falls apart when it no longer is building to something but has to actually deliver the goods.
Sinners further cements that Coogler and Jordan are one of the top actor and writer/director duos in American media currently, with signs they will raise each other’s pedestal each time they work together.
While On Swift Horses might be longer than many may care for, it is undeniably engaging and you’ll wish it were a mini-series to allow you bite-sized pieces of more.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.