Sinners (2025) Review & Summary
Sinners further cements that Coogler and Jordan are one of the top actor and writer/director duos in American media currently, with signs they will raise each other’s pedestal each time they work together.
Sinners further cements that Coogler and Jordan are one of the top actor and writer/director duos in American media currently, with signs they will raise each other’s pedestal each time they work together.
While On Swift Horses might be longer than many may care for, it is undeniably engaging and you’ll wish it were a mini-series to allow you bite-sized pieces of more.
Warfare brings what Alex Garland learned about the brutality of sound in Civil War, but lacks the characters and story to make this film comparably noteworthy.
With already being an EGOT, it seems Viola Davis’ next goal is to become one of the biggest names in the action genre.
A mix between taking advantage of how much Ray Nicholson looks like his father and the name recognition of Samara Weaving only to make Alba Baptista the most interesting part of “Borderline.”
While Jenna Ortega makes the best out of what is offered, a lot of “Death Of A Unicorn” is hit or miss.
“Locked” gives you an idea of what the 1% wishes they could do in reaction to those who, at best, inconvenience them or, at worst, make them feel unsafe.
While there is a certain beauty to “Ash” it maybe questionable if it has the substance you’d want or expect.
“Novocaine” is a reminder that spring is coming and we’re exiting the period where movies aren’t expected to be huge hits, but potentially the biggest of the year – with films like “Novocaine” being a warmup.
“My Dead Friend Zoe” is a tear inducing towards the end and primarily held together by Sonequa Martin-Green’s performance.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.