Bloody Axe Wound (2024): Review | The Father/Daughter Horror Movie You Wasn’t Expecting
“Bloody Axe Wound” achieves the rare balance of being funny, heartfelt, romantic, and bloody.
“Bloody Axe Wound” achieves the rare balance of being funny, heartfelt, romantic, and bloody.
“Babygirl” is the rare example where the story deserves more attention than the performances.
“Nosferatu” doesn’t justify bringing back the dead, even with Robert Eggers’ brand of visuals and eccentric performances to expendable characters.
“F Mary Kill” presents a lighter and comical version of “Cat Person ” regarding what women may fear when dating men.
While “Y2K” may bug anyone born in the 1990s and before, it could be a fun film for those who only know the time through Tumblr aesthetics and unearned nostalgia.
“Werewolves” reminds you why the werewolf trend hasn’t revived like vampires despite multiple movies in a year with no true revival in sight.
“Allswell In New York” will likely become a movie you badly wish was at least a mini-series, for while a completed film, it feels like such a tease.
While much of what is to be expected is given with “Sweethearts,” at least the gay character, who feels obligatory/formulaic for films like this, is given a much better storyline than expected.
Like most sequels, decades separated from the first movie, “Gladiator 2” doesn’t justify its existence, though Denzel Washington does act as a silver lining.
“Heretic” uses the hook of horror as an entry point for a deeper conversation about the role and purpose of religion in society.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.