Sovereign (Tribeca 2025) Film Review & Summary
Sovereign takes a news story and fleshes it out in such a way which feels more geared towards entertainment than taking the situation seriously.
Sovereign takes a news story and fleshes it out in such a way which feels more geared towards entertainment than taking the situation seriously.
Materialists may not hold a candle to Past Lives, but it does present the idea a scripted matchmaking show could be good – just maybe not with the lead characters.
Oh, Hi! asks its audience, how far can its lead actress go, and you stay on her side?
Dangerous Animals more so scratches an itch than gives you the type of horror film that can haunt your brain.
Bring Her Back makes you question what is justifiable when people say, “I’d do anything for my child.”
Final Destination: Bloodlines feels less like a grand return for the Final Destination franchise and more like an acceptable new entry, like it never left.
The Weeknd faces an unhinged fan in a fever dream of a movie called Hurry Up Tomorrow.
Shadow Force wastes Kerry Washington and Omar Sy’s chemistry on some of the most mediocre villains ever seen in a wide theatrical release.
Clown In A Cornfield is the type of horror comedy that can get a bit corny or campy at times, but if you live for blood, guts, awkward moments, sarcasm, and eyebrow-raising, this is for you.
Tapping into the first-generation American experience, and all it takes to make it in America, you get Rosario, which reminds you some sacrifices are paid for in blood.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.