Fatale – Review/Summary (with Spoilers)
Despite how predictable Fatale may seem, based on its trailer, believe me when I say it just uses the familiar to make you think you know what’s going to happen.
Despite how predictable Fatale may seem, based on its trailer, believe me when I say it just uses the familiar to make you think you know what’s going to happen.
Songbird ignores whether producing a COVID romance is inappropriate and doesn’t even deliver a good enough relationship to never mind its ill-taste.
Similar to Happy Death Day, you’ll find Freaky has an unexpectedly good blend of horror and comedy – though it won’t do for its leads as we saw for Jessica Rothe.
“Come Play” takes an interesting approach to the monster genre by giving it an emotional edge and autistic lead.
A horror movie that is nearly 2 and a half hours – is it worth your time or should you avoid it?
Despite how creepy and seemingly perfect for the season “Cadaver” appears, it fails to live up to what you likely imagined.
“Lovecraft Country” continues the burgeoning tradition of, within the fantasy/horror genre, embedding Black stories to bring America’s shameful history back to life.
“Love and Monsters” reminds you Dylan O’Brien is one of this generation’s top action stars and will likely be the one people compare others to in the future.
“Vampires vs. The Bronx” lovingly expands the horror genre, with its charming cast but misses key opportunities to leave a mark.
As with most of Adam Sandler’s Netflix releases, “Hubie Halloween” will be a welcome addition to Sandler’s fans, and all others will question why “” got cancelled and this funded?
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.