Love, Death & Robots: The Dump – Summary, Review (with Spoilers)
The Dump keeps up the weird vibe of the rest of the anthology but decides it wants to get a bit rustic, and not in a farm life kind of way.
The Dump keeps up the weird vibe of the rest of the anthology but decides it wants to get a bit rustic, and not in a farm life kind of way.
Good Hunting will likely be one of your favorite shorts to come out of the Love, Death + Robots anthology.
Shazam! borrows from what you expect from Marvel, adds a touch of Deadpool, but then reminds you DC us the big brother Marvel has long borrowed from.
Sucker of Souls is quite gory and a tad bit comical. However, it is towards the bottom of the Love, Death & Robots ranking.
In The Witness, we get what feels like a pitch to a much more complicated movie.
Stray is a semi-low budget sci-fi film which focuses more on the cop seeking to redeem herself than the powerful girl, and her family.
The Changeover is a simple, slightly grim tale which may lack flair, but does leave you wanting more.
Siempre Bruja (Always A Witch) makes one too many missteps to be forgiven for and wastes the handful of good things it had going for it.
Russian Doll is for those who like NY/LA indie comedies and wished those kinds of characters got to be in their own TV show.
While The Passage has a few things going for it, it’s hard not to get the vibe you’ve seen this story done elsewhere and wonder if it’ll do better.
The Promised Neverland balances out childhood innocence with the type of creepiness which puts you a tad on edge.
While over 18 years separated from Unbreakable’s release, you can see why 2019’s Glass is considered a long time coming.
With corporate espionage, a pending fantasy element, and bullets flying, The Protector starts off a bit weird and with a bang.
While Fantastic Beasts and Where To Find Them seems purely about milking Harry Potter love, without Harry Potter, there is just enough magic to get you through it.
Between you knowing a rape is happening and seeing the murder of teens and children, Goblin Slayer doesn’t hold back that much.
Covering the first 17 episodes of the animated series, Bleach feels like a to the point movie cutting the majority of filler, and probably some essential characters.
Consider A Discovery of Witches a matured version of the many mystic being franchises which focus on teenagers.
Despite its exuberant amount of ecchi, there might be something of value in How Not to Summon a Demon Lord.
While Ready Player One may inspire Who Framed Roger Rabbit? nostalgia, and you’ll enjoy it, this won’t be something you’ll find yourself watching over and over.
While A Wrinkle In Time introduces the world to its saving grace, Deric McCabe, many may find the fantasy elements downplayed and certain themes taking time which would have been better used to craft a more faithful adaptation.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.