Dog Days – Recap/ Review (with Spoilers)
Dog Days is all you expect it to be. Simple, a bit emotional, comical, and good for when you have nothing better to do.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
Dog Days is all you expect it to be. Simple, a bit emotional, comical, and good for when you have nothing better to do.
Dead Envy feels like a movie inspired by Eminem’s “Stan,” but taking things to the next level.
Crazy Rich Asians may have one of the dullest romances you have ever watched, but Awkwafina and Nico Santos save this film from being a bore.
Aardvark is one of those movies which unfortunately doesn’t hone in on the interesting character or story but just makes them part of the dull lead’s life.
Flavors of Youth presents 3 stories which present the minimal needed for you to not close out your Netflix tab.
Kind of sappy, with a little bit of humor, Like Father presents just enough to get in your feelings and be worth your time.
Blindspotting helps illustrate the trauma many Black people have with cops, the double standard that exists between Black and white men, all while throwing in some Hamilton styled raps.
In this coming of age, crime story, you get a little bit of everything. Forbidden romance, kid way in over their head, and the question of who will survive and will there be a happy ending?
Rosy is just too simple, with a male lead who seems misplaced, to match the assumed intention of the story.
Happy Sugar Life is going to give you pause as we get to know Satou and why she is hell-bent on keeping this child, Shio, in her life.
How It Ends not only doesn’t answer its title’s question but also makes for a terrible online release thanks to its writing, pacing, and maybe even acting.
Who We Are Now presents a spotlight on Julianne Nicholson which she uses to show her undeniable talent and to challenge your perception of Emma Roberts.
Sharp Objects, like many an HBO mini-series before, reminds you why the network is the anti-Netflix by focusing on quality over quantity.
By the end of Us and Them, you’ll be exhausted by watching such a long movie and will need a tissue for your tears and snot.
In this sci-fi short, an AI named Peter is supposed to help this woman named Rachel have a successful pregnancy – by any means necessary.
Love Is won’t just renew your faith in the possibility of finding blissful love, but also your faith in what television can offer.
I want you to imagine a 90s rap video with a big budget and an intro which goes on forever. That part of the video sums up Superfly.
Impulse is a weird mix of indie movie vibes, FreeForm teen angst, and CW’s love for superheroes.
A Kid Like Jake focuses less on the subject matter and more on the parents trying to navigate how to raise a kid like Jake.
Hearts Beat Loud is the type of indie you wish was on Netflix for the sake of being accessible yet also presents the argument of why some films must be seen in theaters.
All Summers End is the quintessential summer movie featuring a young love that fills your stomach with butterflies but is bittersweet.
Disturbing yet weirdly artsy, The Tale questions and prods the past as Jennifer Fox comes to term with a less rosey version of her history.
Deadpool 2 reminds you of what the comic book world was like before creating cinematic universes killed the fun and excitement.
Book Club, thanks to the veteran actresses who take lead, is touching, comical, and something you have to question: why is it so rare?
The Cured brings to question what would happen if zombies actually became cured and there was a movement to reintegrate them into society – as a subclass of humans.
Between a plot which seems like a small budget Minority Report to the dryness of Clive Owen and Amanda Seyfried, this may be the perfect film for a Sunday afternoon nap.
Tully is an ode to mothers who found a way to survive child rearing one way or another, even if it was by allowing themselves to go a little crazy.
Like most period dramas, the score is sweeping and acting is pretty dry, but Fanning’s charm and Sturridge and Booth’s theatrics will keep you from falling asleep.
All These Small Moments gives you a taste of so many great stories and leaves you hungering for more from each one.
As Adam Sandler seemingly tries to combine his style of comedy with his more appreciated dramatic works, we get the very rough The Week Of.
In a Relationship tones down the dramatics of young love and while the lack of dramatics does make the film eventually feel dull, it also makes it one the most honest depiction you’ve seen in a while.
The Miseducation of Cameron Post excels as a comedy but, at best, is average in terms of its coming of age drama element.
Jellyfish really does push the idea that being a first-time anything should heighten expectations than lower them.
Little Woods may sell you on the idea of a bi-racial sisterhood, but it’s more so about critiquing the American health system vs. what Canada offers and the illegal market the discrepancy creates.
O.G. is a mixture of Oscar bait editing with the realness that comes from having its actor surrounding by real people doing time.
Dude should have been a series – point blank. For between the writing and casting, this just being an hour and a half will make you feel cheated.
Depending on whether you stick to what is presented on the surface, or go deeper, that will ultimately decide whether you allow yourself to enjoy The Misandrist.
Considering the times we are in, if I was still in middle school or high school, I’d skip every assembly after watching this movie.
A Quiet Place is not your mainstream horror movie and with that comes plus and minuses depending on how you like your horror.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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