Until We Meet Again (2022) – Review/ Summary (with Spoilers)
Until We Meet Again is a little bit all over the place. Mainly due to how it plays with the different genres it pursues.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
Until We Meet Again is a little bit all over the place. Mainly due to how it plays with the different genres it pursues.
Kimi is a meek thriller that doesn’t fully tap into the role of listening devices or the people who troubleshoot the AI behind them.
Single Black Female delivers on the story, performances and madness you expect.
While Through My Window has your usual toxic, brooding, and handsome male lead, there is just enough given to the viewer to get past the trope.
At a wake for a mutual friend, the most estranged of the four seeks out the dead friend’s now ex.
An older lesbian, who was at the forefront of the activism for LGBT+ equality, finds herself getting to see the fruits of her labor through the youth.
An older man, who has somehow seduced a high schooler, takes advantage of cultural and religious customs and values to coerce a meeting.
In this unfolding mystery, you may find yourself underestimating what will happen – thus leading to your mouth gaping by the end.
After practice, the girls’ basketball team gets together to play video games and talk, leading to a reveal that calls for revenge.
In this emotional short, two men, unprepared to raise kids, contemplate if they will take on their niece and nephew’s rearing.
Leonor Reyes is a retired action film director who finds herself inside the dangerous world of her new screenplay.
Adapted from a Haruki Murakami short story, “Drive My Car” masterfully weaves together storylines in a film about loss and learning to live with grief and guilt.
In the aftermath of a school shooting, we see varying ways those affected deal with it as they try to create a new normal.
In this coming-of-age tale, which takes place over three weeks, we watch 3 girls explore what it means to be loved or in love, to varying degrees of success.
Aubrey Plaza reminds of her versatility as she takes on a woman desperate to make money and avoid being exploited.
What starts off as a comical mockumentary about a megachurch trying to make a comeback becomes a film that struggles to shift to a serious tone as it addresses what led to the downfall.
In this cautionary tale, we watch as a grown-ass man seduces a young girl who still has -teen in her age.
God’s Country is a reminder that, when in doubt, speak softly but carry something that puts an emphasis on your words.
Happening, in its almost raw portrayal of what it was like to get an abortion outside of a medical office, is a clinch-worthy reminder of what life for women used to be in some places, and still is in others.
The Cow Who Sang A Song Into The Future boils down to toxic family relationships that need to be acknowledged, addressed, and corrected, or else that toxicity will kill more than just family members.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.