We Live In Time (2024): Review and Summary
Andrew Garfield and Florence Pugh star in a romance movie made for those in their 30s, who have had significant relationships and aren’t scrambling with money or their career.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
Andrew Garfield and Florence Pugh star in a romance movie made for those in their 30s, who have had significant relationships and aren’t scrambling with money or their career.
“Shit.Meet.Fan” is dramatic and comical, and justifies why it there are limited tickets through its run that ends on December 15th.
“The Outrun” is a bit too dry to recommend to a general audience, unless they love someone involved or starring in the film.
“Joker: Folie à Deux” aims to not only strip down Arthur Fletch and his Joker persona, but also strip away much of what many loved about 2019’s “Joker.”
Featuring the voices of Lupita Nyong’o, Kit Connor, and Pedro Pascal, “The Wild Robot” delivers dark humor and tear-inducing moments, making this one of the best American-made animated movies of the year.
“Never Let Go” may star Halle Berry, but after a certain point, it is all about showcasing her young co-stars and furthering their careers.
“The Substance” pushes the need to question whether its potential message is lost in the pursuit of gore and its desire to show and critique the exploitation of a women.
While James McAvoy tapping into his crazy brings on some level of entertainment, as a whole, “Speak No Evil” plays it safe for a film despite its violence.
Aaron Pierre and AnnaSophia Robb star in a too long for its own good revenge tale that lacks what it needs to justify a 2+ hour runtime.
“The Front Room” starring Brandy is the kind of film that needs to be seen with an audience that will make commentary throughout in order to have the best experience.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.