Not Okay (2022) – Review/ Summary (with Spoilers)
“Not Okay” may star Zoey Deutch and feature her on the poster, but Mia Isaac’s performance and character becomes the shining star.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
“Not Okay” may star Zoey Deutch and feature her on the poster, but Mia Isaac’s performance and character becomes the shining star.
Two couples, separated by 15 years, find themselves at the potential end of their relationship. However, a murder mystery might be able to save one of them.
In this dramedy, an act of revenge becomes a lucrative business that may not test friendships but does lead to unexpected consequences.
“The Wheel” questions whether love can heal someone with unresolved trauma who may not know what they have until they are about to lose them?
“Anything’s Possible” is a cute love story that knows to get specific about its lead’s experience when it matters.
“Rap Sh!t” may start a little rough as the lead eclipses a lot of the show’s potential assets with her insecurities, but once her best friend does some course correction, it takes off.
Two socially awkward people, tasked with figuring the other out, hope the relationship they build is real and they are far more than a mark.
In this story of teenage brotherhood, five boys band together as they struggle with cancer, an ill parent, and smaller stuff like crushes and failing grades.
A summary of how Where The Crawdads Sing (2022) ended and whether a prequel or sequel is possible.
After several movies and dozens of games, “Resident Evil” has a serial show, but does it stand out in a good way?
While Mrs. Harris has all the charm in the world, unfortunately, dry supporting characters are too much to compensate for.
“Where The Crawdads Sing” is an engrossing drama that doesn’t go for big grandeur moments but a series of satisfying ones throughout its two hours.
“Prima Doll” may give you “Violet Evergarden” vibes as it explores the post-war life of mechanical dolls.
“Thor: Love and Thunder” takes the MCU into the romantic comedy genre, while still delivering its obligatory action/adventure moments.
While it won’t become a definitive Juneteenth movie, “Block Party” makes for a wonderful family dramedy with Juneteenth acting as a featured part.
Thanks to her parents having a bad breakup and not living up to the high school sweethearts fantasy, a girl puts an endpoint on her high school romance, even if it could last forever.
“Summer Time Rendering” presents a movie-level type of story which mixes the supernatural, a murder mystery, and apparently some groundhog day elements.
In “The Lost Girls,” legendary literary figure Peter Pan is used as an entry point to talk about generational trauma, mental illness, and feeling disconnected from reality.
“Beauty” is heavily inspired by Whitney Houston’s story but by no means should be considered a “Dreamgirls” take on the legend’s life.
With one of the greatest women she has ever known passing, Ivy tries to figure out how to honor her grandmother’s legacy.
In this crime drama, an egg and pork chop are cops looking for justice since there is a murderer killing eggs by the dozen.
“More Than I Remember” presents a less palatable version of why people immigrate, in animated form, but is no less a story to behold.
When your culture is commercialized and its history downplayed or erased, there are times you have to remind yourself and others that who you are isn’t for someone’s entertainment.
In a seemingly post-apocalyptic world, the surface has soldiers who may kill people, and shadows have monsters. Let’s see if this group can get to their destination alive.
It’s initiation night for the Bumblebees, and bets are on whether the new recruit can do what’s required.
From the perspective of Elvis Presley’s manager, “Elvis” chronicles the rise of a king and his imprisonment in Las Vegas.
In “You Can Live Forever,” faith conflicts with sexuality as a Jehovah’s Witness girl falls for another girl who is by no means questioning their sexuality.
“The Summer I Turned Pretty” presents you with everything you’d want and need to swoon, laugh, and engorge.
What could work as a lovely coming-of-age film focused on a father/daughter relationship ends with a rather unnecessary twist.
“The Black Phone” avoids being a generic horror movie by having notable characters and and a story focused on more than jump scares and gore.
“Cha Cha Real Smooth” is an undisputable reason to dust off your Apple TV+ account or start a free trial.
In perhaps the cutest short you’ll ever see, we watch a little girl idolize her mother’s hoop earrings and question what powers they hold.
The path to redemption has always been without explicit details, and for Humberto, he seems to feel his daughter’s life depends on him regaining his footing.
“Good Girl Jane” overstays its welcome as it follows the downfall of a girl who falls in love with a dealer after suffering neglect and bullying.
Cherry is part coming of age, part abortion film, as its young lead contemplates the possibility of becoming a mom and the sacrifices that requires.
Thin walls and hearing all that your sex worker neighbor does in a day – would that be a deal-breaker for you?
A couple tries to work through one half exploring their gender or considering transitioning.
What was supposed to be a fun sexual encounter with a little romance turns into an unwanted conversation about race.
Struggling with moving on after the end of a notable relationship, Gabriela works to make ends meet and deal with their ex moving on.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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