Bad Lands (2023) – Movie Review
While it has a bit of a slow start, once “Bad Lands” gets into the personal drama of its lead with others, it picks up quickly.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
While it has a bit of a slow start, once “Bad Lands” gets into the personal drama of its lead with others, it picks up quickly.
In this relatively short drama, two people, trying to immigrate to the United States, find themselves getting interrogated at Newark Airport.
Between the music and performances, the 2023 version of “The Color Purple” does enough to stand out, but it sometimes falters if you compare it to the 1985 movie.
In this dream-jumping fantasy, a young woman, reeling from her father’s death, gets involved with boys who take part in something supernatural and potentially deadly.
In what may feel like a stuffed holiday movie, three women face romantic or platonic love, with reactions that remind you how challenging serious relationships can be.
In Christopher B. Stokes and Marques Houston’s latest, there is the question of whether a comeuppance will come for a man who stepped out on his marriage for feeling neglected.
Like Leonard Bernstein himself, Bradley Cooper’s “Maestro” stays intriguing and frustrating in what it decides to show and hide about the legendary composer.
A murder accusation leads a woman to try to work with a corrupt cop for her freedom or suffer jail time.
In a film heavily focused on the art of food, sometimes it makes the characters and story secondary.
While “Black Cake” does have its lulls, when focused on the lead character’s children, outside of those two, you have one of the best Hulu releases, if not shows, of the year.
“Poor Things” is a bizarre dark comedy featuring a coming-of-age story and the sexual awakening of a woman given a second chance at life.
“The Iron Claw” may not go far enough to push any specific actor into an accolade conversation, but there is no denying this movie can drive you to tears.
Thanks to cops wanting to get a local dealer by any means necessary, a young mother finds herself becoming an unwilling CI.
In a rather simple horror-esque movie, a young man finds himself hesitant to befriend a new girl, and it seems he should have followed his instincts.
“The Ms. Pat Show” stays the course as it explores more challenging themes and perceptions and seeks a balance between laughter and processing trauma.
“Surprised By Oxford” pushes you to recognize it as a romance film, but without having the lead obsessed with the idea of finding love.
“How I Learned To Fly” is weighed down by focusing heavily on the struggles of its lead characters for too long before giving us a silver lining, levity, or some sign things are going to get better.
“Monster,” as it shifts perspectives from one character to the next, pushes you to ask who the real monster of this story is.
Let the “The Holdovers” be your family in what’s possibly my favorite movie this year.
“American Fiction” may not have anything new to say with its social commentary about media, but it still is able to deliver laughs, touching moments, and a handful of frustration.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.