The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
“I Feel Fine” lulls you into the sense that this will be like any other coming-of-age movie, leading to the gut punch of realizing this is a film that may not have a happy ending.
While sometimes feeling like it lacks the expected payoff, “Inheritance” helps Phoebe Dynevor seem like a safe bet if she’s associated with a production.
“Marked Men” is made for a specific audience, and to capture that audience, it contains everything that could be interesting about this film – but fails in execution.
“The Colors Within” creates what feels like a coming of age tale that doesn’t have overdone characters, struggles, or triumphs.
A video review and summary of Prime Video’s On Call: Season 1.
Prime Video’s “On Call” goes against trend when it comes to giving us a cop show, and while there is a certain level of adjustment required, it ultimately makes for a quality binge-watch.
While Pamela Anderson reinvents herself, it sometimes seems at the cost of giving the spotlight to her peers, with perhaps as much to prove.
With mixed results, “Good Side of Bad” seeks a less embellished version of experiencing a mental illness or supporting someone that does.
“Before” is one of those strange shows that starts and ends well but really challenges your loyalty throughout the middle.
“Babygirl” is the rare example where the story deserves more attention than the performances.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Welcome to Wherever I Look, your go-to destination for insightful and personable reviews of the latest TV episodes, movies, and live performances. Also, dive into our character guides and discover what’s truly worth your time.
