Safe Word (2023) – Review/ Summary (with Spoilers)
“Safe Word” may have the occasional spicy BDSM moment, but it, unfortunately, plays up the stereotypes that those into kink are mentally ill.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
“Safe Word” may have the occasional spicy BDSM moment, but it, unfortunately, plays up the stereotypes that those into kink are mentally ill.
While a slow movie to start, as Maggie starts to be honest and Lloyd opens up, it becomes a beautiful father/ daughter story.
While the final season of “Servant” began with so much promise, unfortunately, it ends in disappointment like so many productions attached to M. Night Shyamalan lately.
While the narration may feel unnecessary, and many fights don’t pack a punch, Kiana Madeira keeps you locked in.
“Dance For Me” delivers what is expected from a crazy light-skinned ex, a new guy with potential, and many sad childhoods that should have led many to a therapist’s chair.
“Wildflower” brings us one of the most touching stories about families needing to learn to trust they did enough and their kin can make it on their own.
Intense in every which way the word can be used, “A Brush of Violence” hits hard, doesn’t overstay its welcome, and leaves you wondering what Daniel Lawrence Wilson may produce next.
While sometimes the cursing feels like an unnecessary crutch to heighten the drama, “A Good Person” will pull on your heartstrings and make it clear why Florence Pugh is considered a top talent.
Rian Johnson and Natasha Lyonne’s Poker Face is a character-driven mystery and my favorite show of 2023 so far.
Secrets come out and teams come together in a revealing School Spirits episode.
A seasoned Lifetime movie if I had ever seen one would go something like this. A deadly affair that leads to the ultimate loss of possible interrelational development— and a baby.
With themes of bullying, death, assault, and more, “Lonely Castle in the Mirro” is an immensely emotional experience.
RRR is an epic adventure tale showcasing the power of resilience, friendship, and Indian cinema.
Makoto Shinkai continues his streak of visually stunning and emotionally impactful anime with “Suzume.”
“Children of the Corn” feels like the kind of release done so a studio can hold onto the license.
“Conversations After Sex” may do itself a disservice by not naming its character or having different men play the lead’s lover, but it still delivers in many ways.
It has long been said that men fight through what they feel, especially towards each other, and in “Creed III,” we see that in real-time as two brothers fight through shared pain and trauma.
Taking place barely over a day, “The Coast Starlight” is packed with a series of what-if conversations that leave you longing for connection.
For those who love stalker movies featuring a light-skinned man who has lost his mind, “Best Friend” will scratch that itch.
“The Strays” is a weird film that could have been about more, but in its pursuit of sensationalism, any points about society that could be made are lost.
In this “Did he or didn’t he” film, a social media influencer falls for a young man who may have killed his teacher, but the evidence is slim against him.
“Disquiet” gives “Angels of Death” vibes, as we watch a man try to escape a hospital with monsters who all want to kill him and some who may be friends or foes.
“Somebody I Used To Know” may have a wonderful “Community” reunion and unexpected friendship worth investing in, but it doesn’t offer much beyond that.
While it sometimes feels like it says too much to make things more complicated than they need be, as time goes on, you realize avoiding simplicity is the point.
“Knock At The Cabin” is another M. Night Shyamalan film where the trailer may have sold you, but the movie lacks payoff.
If you ever wondered what a woman may think when dating a man, both the positive and negative, “Cat Person” is here to illuminate you.
In this quiet southern drama, a family scandal is complicated by the information revealed on a daily basis.
Coming of age in a religious setting is hard, for what coastal cities may see as natural impulses, a conservative community in the Midwest would call those sin.
Emma Roberts and Luke Bracey act as Trojan horses for a movie about love, companionship, and marriage after 60.
If Teyana Taylor is going to give up on her music career, the gift of her performance in “A Thousand And One” makes up for it.
“Shortcomings” desires to push back against the spectacle of representation as it dives into the day-to-day conversations of an unlikable lead.
In this epic exploration of an Iranian Mother and her American-raised daughter’s relationship, you get a story that feels like a friend revealing a recent discovery of their family history to you.
“Fancy Dance” may have a name that makes you think you’ll watch something lighthearted, but as it dives into indigenous people’s continued injustice, you only get that in doses.
“Mutt” is part of the new wave of LGBTIA+ media which moves beyond the coming out and trauma often associated with that, and explores that period of adjustment once the dust settles.
What starts as a cute love story set in the financial world becomes the type of film that will infuriate you and make you yell at the protagonist about what they need to do to win you back.
“Infinity Pool” is a mesmerizing and seductive nightmare in which Mia Goth plays hostess.
“JUNG-E” is the same kind of surprise that “Squid Games” was, but with a lower time commitment.
In the toned-down “Alice, Darling,” the depiction of emotional abuse is on display and given a touch that surprisingly isn’t leaning towards Oscar bait.
“Missing,” a pseudo-sequel to 2018’s “Searching,” is the kind of mystery/ thriller that gets your heart pumping and glued to the screen like a kid watching Cocomelon.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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