Hola Frida (2025) Review
The younger years of Frida Kahlo are brough to life via animation, and produce a wonderful display for those families or kids with someone who has sometimes debilitating ailments.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
The younger years of Frida Kahlo are brough to life via animation, and produce a wonderful display for those families or kids with someone who has sometimes debilitating ailments.
“The Unbreakable Boy” will make you cry because of the performances that get you so invested in the individual and shared lives of the characters.
“My Dead Friend Zoe” is a tear inducing towards the end and primarily held together by Sonequa Martin-Green’s performance.
“I Love You Forever” joins a growing group of movies that exhibit how abuse begins from even the most unlikely of people, specifically men.
“Sugar Baby” is strangely not as explicit as the TV-MA rating would lead you to believe and fits the mold of being too tame despite its subject matter.
“Ragamuffin” with a focus on a burgeoning queer girl raised in a southern motorcross world, creates the type of story that, with being based on its creator’s life, hopefully becomes a long term passion project.
“Almost Certainly False” feels like a preview to a movie you could love as it presents a slightly different take on the refugee experience.
A trip home doesn’t always mean a safe nor happy place, but you learn to make the best of it for the silver lining of what family could be.
“Como Si La Tierra Se Las Hubiera Tragado” reminds you of one of the many stories that continue, even when they aren’t the latest headline.
“Parthenope” is made for those who use the word cinema as it seeks out to appear like a modern adaptation of a literary classic.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.