Tina — The Tina Turner Musical | Overview/ Review (with Spoilers)
Tina — The Tina Turner Musical has all the moves to honor the legend but lacks the soul to do justice to her singing and story.
The Biopic tag features productions focused on various figures and telling their life story as seen by those closest to them, or third parties.
Tina — The Tina Turner Musical has all the moves to honor the legend but lacks the soul to do justice to her singing and story.
While at times excruciatingly dull, Kristen Stewart’s transformation, paired with the psychological aspect of being a public figure who is isolated and controlled, saves Spencer.
The Eyes Of Tammy Faye reminds you how those who seek money and power exploit and tarnish those who have faith in God.
Respect puts respect on Aretha Franklin’s name while still addressing her demons, sordid relationships, and her father.
Zola’s thrill seems a bit lost in translation from a viral Twitter feed to a motion picture.
The United States vs. Billie Holiday all boils down to Andra Day as Billie Holiday, and playing on the hatred of the FBI you surely have by now watching these stories.
Like nearly every well-crafted film about Black oppression in America, Judas and the Messiah will enrage you, tire you out, and make you hope J. Edgar Hoover and his enablers, rot in hell.
Ma Rainey’s Black Bottom gives you what you expect from Viola Davis, and in Chadwick Boseman’s final film, he makes it clear he could excel in a role of someone not already an icon.
Alongside present the best argument for reading the book of the same name, “Becoming” reminds and informs you why Michelle Obama broke the mold as First Lady.
In part 1 of “Unorthodox,” we are introduced to a young girl yearning for family, and what she gets instead is what it appears to be a religion enforced prison.