Thor: Ragnarok – Recap/ Review (with Spoilers)
The only thing which separates Thor: Ragnarok from the other films building towards the Infinity Wars is it actually has a good villain – that’s it.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
The only thing which separates Thor: Ragnarok from the other films building towards the Infinity Wars is it actually has a good villain – that’s it.
A Bad Moms Christmas is one of those rare sequels which knows what made the first one good and hones in on that.
Despite Blake Lively’s usual charm, an uninspiring romance and the pursuit of being too artsy makes for a dull film.
Thank You For Your Service wants to convey a message while presenting a story, but unfortunately, the story it delivers is lackluster.
From what it appears, Jigsaw is a reboot of the SAW franchise – but a bit less gruesome and with less interesting “victims.”
Wheelman could very well take Frank Grillo’s career to the next level as it shows how strong his charisma is.
Though certain plot elements require more forgiveness than you may be able to muster, Koe no Katachi (A Silent Voice) may end up being considered this year’s Your Name.
Madea returns and while this film will in no way win her new fans, and may lose some old ones, she still brings the funny.
The Meyerowitz Stories (New and Selected) is a reminder that most comedians, after their peaks in comedy are more history than current, can usually find new life in dramatic roles.
Horror comedies are usually downright terrible, but The Babysitter is not only an exception but makes a blueprint to follow.
One Percent More Humid lacks investment in its tragedy to the point it makes the survivor’s tears for naught.
In The Foreigner, Jackie Chan combines a timely backstory, mixed with a slightly generic plot, and the type of action you’d only expect from something with his name associated with it.
Cult of Chucky honestly doesn’t seem that bad, until you realize it is trying to set itself up for more sequels.
While, at first, the title of The Death and Life of Marsha P. Johnson may seem kind of off, what it is, is a reminder of how her legacy lives on through her years of activism.
Carla Gugino shows once again, in Gerald’s Game, she is perhaps one of the most underrated actresses of modern times.
It’s that time of the year again for a disappointing thriller featuring a whole bunch of Black people of which one is really crazy. Which is what you get in Til Death Do Us Part.
Our Souls At Night continues to push that there is such a richness in storytelling Hollywood is missing out on by focusing solely on the youth.
Despite no noteworthy performances, and this being a remake, Flatliners contains just enough surprises to fight off preconceived notions.
Gaga: Five Foot Two reminds you that behind the pop icon Lady Gaga is Stefani Germanotta. A person, a woman, a world-renowned singer, but still a human being. One whose pain, both physical and mental, she lives with every day and has to fight off to live her dream.
Kingsman: The Golden Circle, matches, if not surpasses, its predecessor when it comes to action, maintains when it comes to touching moments, but utterly fails when it comes to its multiple villains.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.