Sorry To Bother You – Recap/ Review (with Spoilers)
Sorry To Bother You will probably be the most bizarre film you watch that doesn’t make you want to leave the theater or turn off your screen.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Sorry To Bother You will probably be the most bizarre film you watch that doesn’t make you want to leave the theater or turn off your screen.
Who We Are Now presents a spotlight on Julianne Nicholson which she uses to show her undeniable talent and to challenge your perception of Emma Roberts.
Fireworks is a prime example of why namedropping another film in the advertisement probably should be seen as a giant red flag.
Have you ever cried because of a sci-fi movie? Well, believe it or not, despite a small cast, TAU will make you anxious, cry, excited, and become a potential Netflix classic.
Uncle Drew, despite its comedic leads and sports stars, doesn’t deliver strong laughs or even play up what seemingly was supposed to be a touching story.
By the end of Us and Them, you’ll be exhausted by watching such a long movie and will need a tissue for your tears and snot.
In this sci-fi short, an AI named Peter is supposed to help this woman named Rachel have a successful pregnancy – by any means necessary.
The Swap may not have “Classic” appeal but it does surprisingly make for an entertaining movie – even if you grew up on 90s/00s Disney.
Tag is probably one of the few comedy movies, this year anyway, which isn’t just about the jokes but also about the genuine friendship between its leads.
You know how in school, or at work, someone said “That person needs to get laid” as if that would fix everything? That’s the premise behind Set It Up.
At best Incredibles 2 is a crowd pleaser. At worse, it reminds you why, until Disney forced Pixar’s hand, they didn’t really do a lot of sequels.
I want you to imagine a 90s rap video with a big budget and an intro which goes on forever. That part of the video sums up Superfly.
A Kid Like Jake focuses less on the subject matter and more on the parents trying to navigate how to raise a kid like Jake.
Alex Strangelove is a frustrating movie for while you want to support the message and journey, then you think about the collateral damage.
Whether you truly appreciated him as a kid or not, Won’t You Be My Neighbor reminds you of how much of an impact one person can have with understanding and kindness.
Hearts Beat Loud is the type of indie you wish was on Netflix for the sake of being accessible yet also presents the argument of why some films must be seen in theaters.
Consider Hotel Artemis a vehicle for Sterling K. Brown and you’ll enjoy it. However, if you were expecting a compelling crime movie or something funny? Prep to be disappointed.
Oceans’s 8, while enjoyable, pushes the idea that Hollywood still doesn’t trust women’s box office abilities, no matter the talent involved, so they’d rather gender bend long-dormant properties.
All Summers End is the quintessential summer movie featuring a young love that fills your stomach with butterflies but is bittersweet.
Disturbing yet weirdly artsy, The Tale questions and prods the past as Jennifer Fox comes to term with a less rosey version of her history.
Brilliantly weird, comical and touching, somehow How to Talk to Girls at Parties taps into something absurd without getting lost in its own madness.
While you understand the point Fahrenheit 451’s tries to make, it seems in the pursuit of making a point it was forgotten to make the film entertaining.
Deadpool 2 reminds you of what the comic book world was like before creating cinematic universes killed the fun and excitement.
Book Club, thanks to the veteran actresses who take lead, is touching, comical, and something you have to question: why is it so rare?
The Cured brings to question what would happen if zombies actually became cured and there was a movement to reintegrate them into society – as a subclass of humans.
Sadly, Terminal is the type of film which seemingly believes it is much smarter than you and has a mystery which doesn’t quickly unravel.
On one hand, The Kissing Booth can be seen as a conversation on a young woman’s autonomy. On the other, it is a simple, sweet, and kind of cheesy romantic comedy.
Breaking In is one of those films which will only be as good as the audience talking through it.
On top of being touching and hilarious, Life of the Party proves Melissa McCarthy is probably the most consistent and reliable actor working today.
Between a plot which seems like a small budget Minority Report to the dryness of Clive Owen and Amanda Seyfried, this may be the perfect film for a Sunday afternoon nap.
Tully is an ode to mothers who found a way to survive child rearing one way or another, even if it was by allowing themselves to go a little crazy.
I Am Not An Easy Man takes the less worn route of the idea of the primary genders swapping to quite pleasing results.
Like most period dramas, the score is sweeping and acting is pretty dry, but Fanning’s charm and Sturridge and Booth’s theatrics will keep you from falling asleep.
All These Small Moments gives you a taste of so many great stories and leaves you hungering for more from each one.
Thanks to the chemistry of its leads and message about the pressure kids are under to get into college, Candy Jar sidesteps being just another quantity over quality Netflix film.
As Adam Sandler seemingly tries to combine his style of comedy with his more appreciated dramatic works, we get the very rough The Week Of.
Batman Ninja’s beautiful and intricate art is wasted on a story which is not only dull but perhaps features more mecha action than ninja/samurai styled fights.
With sequels being talked about or confirmed, so dies some of the tension of Infinity War. However, at least Marvel is learning how to make better villains.
Slut In A Good Way is a forgettable comedy which doesn’t bring anything new to the slut conversation or bring about some sense of sexual empowerment.