Bodied – Recap/ Review (with Spoilers)
While I won’t say Bodied is the best comedy of the year, it sure as hell is one of the most memorable in years.
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While I won’t say Bodied is the best comedy of the year, it sure as hell is one of the most memorable in years.
The Holiday Calendar may not win over people who don’t like holiday/Christmas movies, but if you do? This is a good film to start the season.
Bohemian Rhapsody is both a tear and chills-inducing film, all thanks to Rami Malek.
Beautiful Boy has wonderful performances that compensate for a story that didn’t translate well to the big screen.
Nobody’s Fool shows Tiffany Haddish at her best and shows what Tyler Perry can do when he doesn’t limit his comedy style to PG-13 and below.
Jefe is comical, but as for the whole redemption that is part of Netflix’s synopsis? I don’t know about that.
Never Goin’ Back holds itself back from the many things which could have made this either really funny, insightful, or heartfelt.
Mid90s has the rawness of Kids, but feels less about being provocative and more about trying to present characters you’d think were based off real people.
How To Get Over a Breakup does drag a bit at times but, depending on if you are going through a breakup, it might be just what you need.
Stella’s Last Weekend may lead you to think the movie is about a dying dog, but it is really about two brothers relationship becoming stronger.
When it comes to the action, you’ll love The Night Comes For Us. However, in terms of story… well, the fight scenes compensate for that.
What begins as a lonely, unwell girl getting her deserved comeuppance, turns into a borderline ridiculous revenge plot.
What starts off as a potentially cute love story, featuring a madman, devolves into you begging for one man to shut up.
I Still See You presents an interesting murder mystery that will intrigue you more than you might have expected.
After Everything is exhausting in the best way. For it really makes you passionate about the possibility of this couple making it and not ending up just a memory to one another.
When I’ve Wanted To Die, feels like a visual summary, with an incremental update, of Anna Akana’s book released last year.
While, like most book adaptations, in losing some of the fat the film loses some of what made the book great, what isn’t lost is the key message The Hate U Give pushed.
A Star Is Born starts strong and burns bright but, by the end, you’ll be burnt out as it sludges its way to the finish.
3rd Night lacks potential scares despite holding many elements most horror movies have to conjure up fear.
Cruise may not cause butterflies or be the best star-crossed romance you’ve ever seen, but it is a decent way to kill an hour and a half.
With paltry jump scares, and a killer with very little motive, besides being rude to him, Hell Fest will only scare up the desire to maybe go to a real horror fest.
While this won’t go down as the best we’ve seen from Kevin Hart or Tiffany Haddish, comedy-wise, there is a deeper message which compensates for that.
While Smallfoot may give some adults pause with topics dealing with questioning authority and religion, it’s message of unity kind of compensates for that.
While the message is clear and strong in Nappily Ever After, the story, by comparison, is a tad weak.
Life Itself will leave you crying in the worse way. I’m talking gasping for air, with a burning throat, for the devastation is too much.
Covering the first 17 episodes of the animated series, Bleach feels like a to the point movie cutting the majority of filler, and probably some essential characters.
White Boy Rick seems to follow a worn out list of what “Based on a True Story” films must do and thus lacks anything to make this feel truly different from the rest.
Sadly, neither the Black experience during WWII Germany nor the odd love affair between a Nazi soldier and Black German girl flourish.
A Boy. A Girl. A Dream is a likable love story but, if not a fan of Trump, it recapping the night he got elected might dampen the romance.
The Wife seems like an oddly placed summer film, for it has all the workings to be Oscar bait – without coming off pretentious.
While MDMA does have an engaging story, it is also the type of film you wish could’ve dived more into certain characters and subjects.
I want you to imagine the mystery aspect of Gone Girl, mixed with the comedy of Bad Moms. An imperfect union of the two would equal A Simple Favor.
During a high school reunion of sorts, a group of jocks, after one crazy night, assume one of them killed another. Question is: Who and why?
I’m doing my best to just see Slice as a campy comedy, but even with that in mind – I struggle to find a means to spin this into a positive light.
A man’s half-brother and ex, two miserable people, find themselves roomed and sitting next to each other and finding a strange, yet overdue, connection.
The Hows of Us presents one of the cutest, down to Earth romances which addresses what happens when your high school sweetheart struggles to be your adult boyfriend.
In what feels like an alternate timeline of the movie Wall-E, we watch a girl reconcile her abandonment issues through a robot meant to save the world.
Sierra Burgess Is A Loser comes off so good until it creates an unrealistic relationship and rushes the resolution to the climax.
Even if not a follower of The Conjuring Universe, The Nun will definitely help you understand the hype and definitely put you on edge a little bit.