Good Grief (2024) – Movie Review
In “Good Grief,” the universality of loneliness is explored, whether single due to death, a break-up, rejection, or just never getting to be “The One.”
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In “Good Grief,” the universality of loneliness is explored, whether single due to death, a break-up, rejection, or just never getting to be “The One.”
“Night Swim” may scratch that itch for horror fans who need a jump scare, but it certainly won’t start off the year on a high note for Blumhouse like “M3GAN” did.
While “The Book of Clarence” may seem potentially controversial because it contains Jesus of Nazareth, outside of some of the conversations it could start, it is tame to the point of being boring.
As migrant workers increasingly disappear, a cop still mourning their partner finds the case to be just the distraction she needs.
“The Pod Generation” explores what childbearing and rearing might be like in a future where women don’t have to get pregnant.
While it has a bit of a slow start, once “Bad Lands” gets into the personal drama of its lead with others, it picks up quickly.
Out of Hand, a Tubi original, feels like a porno without any porn.
“Rebel Moon —Part One: Child of Fire,” I’d love to say, was all visuals and no substance, but the visuals don’t necessarily leave you awestruck either.
In this relatively short drama, two people, trying to immigrate to the United States, find themselves getting interrogated at Newark Airport.
Between the music and performances, the 2023 version of “The Color Purple” does enough to stand out, but it sometimes falters if you compare it to the 1985 movie.

The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.