The Weekend Away (2022) – Review/ Summary (with Spoilers)
In this mystery, things twist and turn, and as our lead starts to figure things out, you question why is she confronting the person where she can be the next victim?
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
In this mystery, things twist and turn, and as our lead starts to figure things out, you question why is she confronting the person where she can be the next victim?
Once again, Batman has been rebooted but rather than waste time on Bruce’s origin story, it focuses on who you’re really here for – the villains.
Family Squares is the kind of film which will make you laugh, cry, and maybe even call your family – including members who get on your last nerve.
Utilizing its small cast, No Exit is an often intense film to watch, which leaves you to wonder who may make it out alive.
Tyler Perry revives Madea, and while comical, it may make you miss when he was adapting his plays rather than making original Madea movies.
UFO is one of the rare TV-MA young adult romances from Netflix that doesn’t seem to rely on lust but rather love to get you to stick around.
Don’t Kill Me is sparse on details to the point of wondering if something was lost in translation.
If you love bloody, disgusting, gory, just straight-up violent horror movies? Netflix’s The Texas Chainsaw Massacre has you covered.
Even if you didn’t watch Wu Assassin in 2019, you could easily pick up what Fistful of Vengeance wants you to get – a whole lot of stylized fight scenes.
Heart Shot feels like a cruel tease of a show or film Netflix should have financed already.
While Help does make you raise an eyebrow about what’s going on, I wouldn’t say the ending gives you the payoff you desire.
Student Body is bloody, vulgar, and ridiculous. But whether or not it is in the best way? That’s hard to say.
Until We Meet Again is a little bit all over the place. Mainly due to how it plays with the different genres it pursues.
I Want You Back may not present top-tier comedy or romance, but its exploration of the value placed on relationships is where it shines.
Moonfall is a popcorn film full of dumb fun – the moon falls (and that’s not even the craziest part), things get spectacularly destroyed, and the US tries to nuke the moon (of course they do).
Kimi is a meek thriller that doesn’t fully tap into the role of listening devices or the people who troubleshoot the AI behind them.
Single Black Female delivers on the story, performances and madness you expect.
While Through My Window has your usual toxic, brooding, and handsome male lead, there is just enough given to the viewer to get past the trope.
Like a horror movie, Jackass Forever allows you a safe, vicarious experience that makes you wince, gag a little, but be so glad it’s not you in the scenario.
At a wake for a mutual friend, the most estranged of the four seeks out the dead friend’s now ex.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.