Hello, Privilege. It’s Me, Chelsea (2019) – Summary, Review (with Spoilers)
In Hello, Privilege. It’s Me, Chelsea, Chelsea Handler shows she means well yet still operates on a limited scope of what white privilege is.
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
In Hello, Privilege. It’s Me, Chelsea, Chelsea Handler shows she means well yet still operates on a limited scope of what white privilege is.
While Judy is a drag, due to you seeing the icon within months of her untimely demise, Zellweger and Shaw help you understand how difficult life was for Ms. Garland.
In the Shadow of the Moon is written more to be the start of a series than a singular movie – and it shows through its characters.
Under the Eiffel Tower has the chemistry needed to become invested in the needs, but the story presents too many obstacles just to enjoy two people falling in love.
While the story of Rambo: Last Blood is weak and may cause think pieces, you may find the violence more than compensates.
Despite Polaroid’s original US premiere being cancelled, and its release, stateside, being in limbo ever since, it’s a bit hard to fathom why.
Clive Davis: The Soundtrack of Our Lives hones in so much on the highlights of Davis’ career that it feels like a lifetime achievement award presentation.
I Am Wrath feels like a watered-down Liam Neeson movie that lacks complexity, urgency or gives you any reason to feel attached.
Riot Girls may sometimes feel more like a concept film than a completed vision, but it lays enough of a foundation to be enjoyable.
Tall Girl’s message gets lost due to the pursuit of validating its lead through the affections of a boy.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.