"A Long Time Coming" explores the complexities of Asian Americans and an older generation's perspective on the Black Lives Matter protests.

I want you to imagine a documentary in which the subject goes out of their way to go against everything agreed upon and is hellbent on chaos. That's DTF.

All Roads to Pearla has all the ingredients necessary to have some element of shock to it, but they just don't come together as you need them to.

The Argument tries to have it both ways. It wants you to watch it devolve into utter madness yet maintain just enough control to make you laugh as you cringe.

While the banter and romance between the leads will surely draw you in, the conversations about art, and the male lead's ego, do leave you on a sour note.

The Spring We Never Had is classic Wong Fu which gets you so emotionally invested that when things don't head towards the ideal, you will yell at your screen.

While Skin: A History of Nudity In The Movies is informative, it's utter lack of perspective for people of color, beyond Pam Grier, is a HUGE oversight.

You'll either weirdly find Spree funny, disgusting, or something which might make you paranoid about ever using a ridesharing app ever again.

While Jenny Slate's character finds herself a pleasant and relatable wakeup call, all that happens around her may lead to a raised eyebrow or indifference.

"Almost Love" is good enough to get you invested into the characters, but not to the point of pushing everyone you know to see it.