I Am Not Okay With This: Season 1 – Review/ Summary with Spoilers
“I Am Not Okay With This” benefits from understanding the normalcy of weird, but its story, which sometimes drags, keeps it from being as good as its potential.
“I Am Not Okay With This” benefits from understanding the normalcy of weird, but its story, which sometimes drags, keeps it from being as good as its potential.
While an inconsistent villain presence does sometimes plague “Gleipnir,” in terms of character investment and story? It goes beyond expectations.
If you need a good cry, but not to the point of making an ugly face, “A Whisker Away” is just what you need.
If you like your horror slow churning, not reliant on gore, but still may not be the best to watch at night, “Our House” could do the trick.
“Doom Patrol,” formerly locked up behind a paywall not worth paying for, adds yet another reason to have HBO Max.
“Ne Zha” shows why it was a massive hit in China with its top-notch animation, emotional story, and its ambiguity of good and evil.
“Motherland – Fort Salem” reminds you why there is a craving for original ideas and not rehashed stories, be it in the form of remakes of novel adaptations.
It’s unfortunate “Scoob!” couldn’t be seen in theaters, for it might be one of the first Scooby-Doo movies in a while which deserved a theatrical release.
“18 Presents” or “18 Regali” is an ode to those who lost their mothers and need an excuse to cry.
“Dummy” is one of those shows which toe the line between having deep meaning and being mindless entertainment.
Quibi’s “Dummy” has its moments, but also doesn’t seem like a show which should exist behind a paywall.
With more than meets the eye, “She Never Died” moves beyond the violence as it pursues a redemption story.
While the panty shots are unnecessary, “Gleipnir” does present itself as an intriguing action anime with eyebrow-raising characters.
In a slight change of pace, “Motherland: Fort Salem” may focus on witches and the supernatural, but with the general omittance of men, things appear far more severe.
After proving herself to be able to carry multiple films, even if they are meh, “I Am Not Okay With This” allows Sophia Lillis to be in her element and kick ass.
“Fantasy Island” may surprise you with how it tries to be more than a horror movie and address the trauma of the guests on the island.
Thanks to minimal dialog, “Wicca Book” has a specific creep factor but leaves you disconnected from its characters.
“Gretel and Hansel” is a strange PG-13 horror that may have wonderful performances, but also has a divisive story.
“Weathering With You” like “Your Name.” plays with your emotions, skips certain details, but is ultimately worth the price to see.
His Dark Materials, while wonderfully led by Dafne Keen, of Logan fame, struggles with weak reveals and lack of urgency.
Medrano solidifies her brand as a dark comedy animator with Helluva Boss, a workplace comedy.
His Dark Materials gets another chance in visual popular media, and it seems in series format, it’ll get its just due.
Maleficent, once more, pushes you to wonder why doesn’t Disney reinvent its villains rather than lazily remake its classics?
K-12 takes the example of what a visual album should be up a notch by producing a musical which makes the visuals and music inseparable.
Carnival Row may begin with a gorgeous, complex world with varied creatures, but the beauty fades when anything is put under a microscope.
Season 1 of Carnival Row is ambitious and builds a wonderful world filled with lore, but the majority of its characters fail to really make that world come to life.
Thanks to the performances of Storm Reid and David Oyelowo, Don’t Let Go will have you crying and your chest tight due to fear.
BEM may not blow you away with its art style or characters, but it does create a world which you may want to see more of
Cop Craft drops you right in, with just enough to know what is going on, and that might be the best and worst part of the pilot.
If It’s for My Daughter, I’d Even Defeat a Demon Lord will likely stir up your emotions and hook you in no time.
Season 3 feels like the peak for Stranger Things, and from here, it can either plateau or go downhill.
Spiderman: Far From Home feels like a shakeup to the MCU formula for its individual movies, and creates an awesome transition film for the next MCU phase.
While The Rook seems like it could be intriguing, it faces an uphill battle by being everything we’re not used to when superheroes are involved.
Yesterday harnesses the nostalgia which comes from listening to The Beatles to deliver a rather awkward, if not one-sided and uncomfortable love story.
While a bit slow, and definitely having a strong indie vibe, Fast Colors eventually hooks you into its supernatural story.
Over time, you think you build up a tolerance for messed up movies and yet The Perfection will still leave your mouth gaping open.
Season 8 of Game of Thrones may contain lackluster ends for some fan favorites but ultimately reminds you the show never set out to consistently give fans what they wanted.
Lucifer’s 4th season is more of the same and while it may satisfy avid fans, for those who dropped the series or are curious, it won’t hype you up for a 5th season.
While reimagining classic films usually deserve a side-eye, Little brings something completely new and leaves you feeling like it is long overdue.