I’m a Virgo (2023) – Season 1: Review and Summary (with Spoilers)
“I’m a Virgo” is Boots Riley’s satire of superheroes while confronting capitalism in a 13-foot-tall character. It’s bonkers in the best way.
“I’m a Virgo” is Boots Riley’s satire of superheroes while confronting capitalism in a 13-foot-tall character. It’s bonkers in the best way.
With the type of animation which pushes you to think something nefarious could happen, “Witchfairy” sets you up for one thing but pleasantly gives you another.
Alongside being visually stunning, almost AAA video game quality at times, “Deep Sea” is an emotional experience, especially as it enters its third act.
“Perpetrator” is more interested in ways to use and shoot blood than truly give life to its characters and anything it sets up plot-wise.
“The Secret Kingdom” is a fantasy story for the family with unique visuals and character designs. Yet you’ll feel like you’ve seen this story before.
“The Boogeyman” crafts grief, scares, and compelling performances in a way few monster movies do.
Season 2 of the five-season planned “Yellowjackets” drags early on and seems imbalanced between the past and present, but does end on a high note.
American Born Chinese is ambitious and nuanced in its Asian American representation, yet there are parts that feel watered down or changed by its Disney overlords.
“Once Upon A… One More Time” is a feminist musical set to the music of Britney Spears that may feel like it is preaching to the choir and needs more oomph in its ensemble numbers.
“The Little Mermaid” thankfully takes enough from the Broadway musical and further creative license from the Hans Christian Anderson story to make an entertaining, though serviceable, film.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.