Come Away (2020) – Review/ Summary (with Spoilers)
If you came to this film hoping for a Black version of Alice In Wonderland and Peter Pan, prep to be disappointed.
If you came to this film hoping for a Black version of Alice In Wonderland and Peter Pan, prep to be disappointed.
“The Craft: Legacy” pushes you to feel it didn’t need its predecessor for anything besides name recognition.
A horror movie that is nearly 2 and a half hours – is it worth your time or should you avoid it?
“Lovecraft Country” continues the burgeoning tradition of, within the fantasy/horror genre, embedding Black stories to bring America’s shameful history back to life.
Magic, guns, swords, an empire dealing with rebel forces, and two people sucked into the madness on opposing sides, “Magatsu Wahrheit: Zuerst” seems promising.
“Vampires vs. The Bronx” lovingly expands the horror genre, with its charming cast but misses key opportunities to leave a mark.
Like “Ne Zha,” “Jiang Ziya” feels like an epic that can appeal to children but doesn’t lose the adults watching in the process.
“Secret Society of Second-Born Royals” won’t ease your MCU fix, but it’s good enough on its own to want to see more.
The Babysitter: Killer Queen may not have the same pizazz when it comes to kill scenes, but the inclusion of Jenna Ortega does take things up a notch.
#Alive, with its small speaking cast, but high stakes, makes for an awesome, albeit simple, zombie movie.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.