Sing ‘Yesterday’ For Me: Season 1 – Review, Summary with Spoilers
“Sing ‘Yesterday’ For Me” does well in the beginning, but as time goes on, its pacing starts to dismantle its highlights.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
“Sing ‘Yesterday’ For Me” does well in the beginning, but as time goes on, its pacing starts to dismantle its highlights.
“Looks That Kill” makes for a lukewarm dark comedy, but has a romance that makes it worth viewing.
While “Miss Juneteenth” acts as a timely history lesson, it is the mother/ daughter relationship that is the main draw.
“Insecure,” after a lengthy hiatus, returns, and while it does contain explosive moments, it’s the quiet ones that bring out its best scenes.
After a ten-episode season in season 2, the 6 episode season 3 feels like a disservice to such a great show.
Unfortunately, it takes “The King of Staten Island” almost an hour, out of 2, to be all that you expected and hoped it would be.
“365 Days” tries to make Stockholm syndrome sexy and ends up just making a big-budget soft-core porn.
“I May Destroy You” begins not with the crime central to its marketing, but a reminder of the person who preceded the adjectives placed on assault survivors.
While “The Healer” isn’t made to withstand scrutiny, it is an entertaining film to watch while in quarantine.
If you like your horror slow churning, not reliant on gore, but still may not be the best to watch at night, “Our House” could do the trick.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.