The Ghost Who Walks (2019) – Review and Summary (with Spoilers)
“The Ghost Who Walks” is a potential tear-jerker which, if it doesn’t make you cry, at least provides you with a thrill ride.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
“The Ghost Who Walks” is a potential tear-jerker which, if it doesn’t make you cry, at least provides you with a thrill ride.
In part 1 of “Unorthodox,” we are introduced to a young girl yearning for family, and what she gets instead is what it appears to be a religion enforced prison.
“Sing ‘Yesterday’ For Me,” as it addresses the regrets that come with early adulthood, makes you hyper-aware of what is and isn’t going right in your life.
“Freshman Year” avoids being heavy-handed or eye-roll-inducing about faith. Rather, it approaches a young man’s faith, and decisions, with a realistic tone.
“Intermedium,” like most shorts, is an appetizer. And like any appetizer, it leaves you wanting more.
“Pretty Little Stalker” will keep you engaged throughout its time length, but I can’t say it should be high up on your watchlist.
“Trixie Mattel: Moving Parts” will remind you of a time when documentaries gave you the behind the scenes look that social media snatched away.
“Uncorked,” sidesteps the usual dealings caused by poverty and racism to explore its leads’ father/son relationship, to sometimes mixed results.
“Cherish The Day” with its sometimes complicated, yet never messy, love story answers the call for rich Black love stories.
While “Go Back To China” may come off as some silly or light-hearted, as it touches upon Chinese culture and family, it goes so deeper than expected.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.