Pretty Little Stalker – Review/ Summary (with Spoilers)
“Pretty Little Stalker” will keep you engaged throughout its time length, but I can’t say it should be high up on your watchlist.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
“Pretty Little Stalker” will keep you engaged throughout its time length, but I can’t say it should be high up on your watchlist.
“Trixie Mattel: Moving Parts” will remind you of a time when documentaries gave you the behind the scenes look that social media snatched away.
“Uncorked,” sidesteps the usual dealings caused by poverty and racism to explore its leads’ father/son relationship, to sometimes mixed results.
“Cherish The Day” with its sometimes complicated, yet never messy, love story answers the call for rich Black love stories.
While “Go Back To China” may come off as some silly or light-hearted, as it touches upon Chinese culture and family, it goes so deeper than expected.
“Self Made: Inspired By The Life of Madam C.J. Walker” has the performances and inspirational story you expect, but also the kind of drama which keeps this from being seen as prestigious.
While the development of Jasmine is ace this season, the other elements of season 3 of “On My Block” are frustrating, inconsistent, or feel like a repeat of the past.
In a slight change of pace, “Motherland: Fort Salem” may focus on witches and the supernatural, but with the general omittance of men, things appear far more severe.
In its series premiere, “Little Fires Everywhere” takes us back to 1997 and gives us a socio-economic tale with characters ready to burst at the seams.
With “M.O.M. (Mothers of Monsters)” seeking to flesh out the fear of one parent, we’re reminded how difficult it might be to stop a catastrophe.
“Stargirl” in depicting what happens when you allow yourself to be what others want, brings about one of the best family appropriate live-action films from Disney in ages.
All The Bright Places fulfills your need for butterflies and tears, as most YA novel adaptations do.
After proving herself to be able to carry multiple films, even if they are meh, “I Am Not Okay With This” allows Sophia Lillis to be in her element and kick ass.
Between seemingly exploiting its lead having Asperger’s to an uninspiring mystery, “The Night Clerk” struggles.
In this coming of age tale, everything is about that one chance to make it and if things don’t come together, the worst happening.
In “For Life,” rather than be yet another courtroom drama where the cases seem to only matter that episode, we get a show in which each case is a building block for the future.
“Violet Evergarden I: Eternity and the Auto Memory Doll” reminds you no matter how much time has passed, you can still be strongly affected by a well-developed character.
“The Photograph” develops a mother/daughter relationship, a romance, as well as explores one woman’s struggle with the concept of love.
Through its exploration of marriage and relationships, after the honeymoon phase, “Stuck With You” explores that period between wanting to leave but not lose your investment.
OWN continues to be one of the premier networks for dramas featuring elite Black talent, and Ava DuVernay’s “Cherish The Day” furthers the network’s legacy.
“The Rhythm Section” desires to be cool, edgy, and give Lively the allowance to be a super spy, but it doesn’t get to complete its mission.
While “The Assistant” may seem like it wants to play upon the multiple #MeToo scandals, it sidesteps sensationalism in its approach.
In the new Netflix mystery series, one person’s reveal of a mother’s lie and a bunch of teenagers having a wild night, unravel a family, and their community.
In a film fit for Valentine’s Day, “What Love Looks Like” brings us the beauty of love as it begins and the mourning period when it is at its end.
“My Hindu Friend” dances around the viewer’s expectations by creating a sexual, emotional, and sometimes utterly weird tale based on Héctor Babenco final year of life.
“A Fall From Grace” will make you wish Netflix had an audio track with comedians giving commentary to substitute a live audience.
While you have to appreciate the sense of ownership, value, and advocacy “Jezebel” presents when it comes to Black bodies, it’s not the most entertaining thing to watch.
“Everything’s Gonna Be Okay” presents the idea FreeForm can still be groundbreaking without necessarily being political.
“Weathering With You” like “Your Name.” plays with your emotions, skips certain details, but is ultimately worth the price to see.
“High School Musical: The Musical: The Series” is a showcase of Disney’s up and coming talent beyond what we’ve previously seen.
“Underwater” wants to be an emotional and action-packed action film, but it fails too often and its villain is underdeveloped.
“Zoey’s Extraordinary Playlist” is beyond being another musical comedy, it will make you Kerry Washington style, lip tremble, cry.
Between a man with Alzheimer’s trying to see his first love and his granddaughter who keeps the core family together, you will be in your emotions.
The second season of “You” feels a bit formulaic, but Penn Badgley makes up for it by continuing to make you wonder how far Joe can go before he’s unforgivable?
“Party of Five” hones in on the immigration crisis and reminds you of the damage separating families will have and may bring you to tears.
Somehow an hour and 19-minute film feels so much longer by means that is hard to explain, but we’re going to try.
Greta Gerwig, Saoirse Ronan, and Timothée Chalamet prove themselves to be a formidable trio and a grouping we should expect for decades to come.
While Dare Me may have all the usual drama you expect from young adults, with the working-class town vibe, it seems less monotonous than its peers.
In this romantic drama, a young man whose life is slowly unwinding after a recent breakup is given a box that allows him to time travel and save his last relationship.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Pages