Honor Society (2022) – Review/ Summary (with Spoilers)
With the star power of Angourie Rice, “Honor Society” becomes far more than a tale about a malicious overachiever trying to get the hell out of her small town.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
With the star power of Angourie Rice, “Honor Society” becomes far more than a tale about a malicious overachiever trying to get the hell out of her small town.
“Not Okay” may star Zoey Deutch and feature her on the poster, but Mia Isaac’s performance and character becomes the shining star.
Two couples, separated by 15 years, find themselves at the potential end of their relationship. However, a murder mystery might be able to save one of them.
In this dramedy, an act of revenge becomes a lucrative business that may not test friendships but does lead to unexpected consequences.
“The Wheel” questions whether love can heal someone with unresolved trauma who may not know what they have until they are about to lose them?
“Anything’s Possible” is a cute love story that knows to get specific about its lead’s experience when it matters.
“Rap Sh!t” may start a little rough as the lead eclipses a lot of the show’s potential assets with her insecurities, but once her best friend does some course correction, it takes off.
Two socially awkward people, tasked with figuring the other out, hope the relationship they build is real and they are far more than a mark.
In this story of teenage brotherhood, five boys band together as they struggle with cancer, an ill parent, and smaller stuff like crushes and failing grades.
A summary of how Where The Crawdads Sing (2022) ended and whether a prequel or sequel is possible.
After several movies and dozens of games, “Resident Evil” has a serial show, but does it stand out in a good way?
While Mrs. Harris has all the charm in the world, unfortunately, dry supporting characters are too much to compensate for.
“Where The Crawdads Sing” is an engrossing drama that doesn’t go for big grandeur moments but a series of satisfying ones throughout its two hours.
“Prima Doll” may give you “Violet Evergarden” vibes as it explores the post-war life of mechanical dolls.
“Thor: Love and Thunder” takes the MCU into the romantic comedy genre, while still delivering its obligatory action/adventure moments.
While it won’t become a definitive Juneteenth movie, “Block Party” makes for a wonderful family dramedy with Juneteenth acting as a featured part.
Thanks to her parents having a bad breakup and not living up to the high school sweethearts fantasy, a girl puts an endpoint on her high school romance, even if it could last forever.
“Summer Time Rendering” presents a movie-level type of story which mixes the supernatural, a murder mystery, and apparently some groundhog day elements.
In “The Lost Girls,” legendary literary figure Peter Pan is used as an entry point to talk about generational trauma, mental illness, and feeling disconnected from reality.
“Beauty” is heavily inspired by Whitney Houston’s story but by no means should be considered a “Dreamgirls” take on the legend’s life.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.