Years and Years: Season 1 – Summary, Review (with Spoilers)
While Years and Years starts on a high note, as you grow indifferent over the future the characters go through, it pushes you to realize how complacent you’ve become of your own.
The human experience, sometimes at its most raw, is what you’ll find in the drama tag.
While Years and Years starts on a high note, as you grow indifferent over the future the characters go through, it pushes you to realize how complacent you’ve become of your own.
Season 2 of The Chi, despite issues caused by Jason Mitchell, retains the vibe of being a high-brow urban drama which balances both the dark and beauty of an urban area.
Point blank: There is little to nothing freaky about Kinky and it doesn’t compensate being a soft R with its characters or storyline.
Beats is the kind of film which has a good central story, but the bankable star gets in the way of said story shining as it could and should.
While a bit slow, and definitely having a strong indie vibe, Fast Colors eventually hooks you into its supernatural story.
In trying to be a light drama, Trinkets avoids addressing what’s human about its characters and barely takes us beyond the surface.
I want you to imagine the graphic nature of 13 Reasons Why and the realness of Skins (UK) turned up but with better performances, better characters, and more explicit scenes.
From what it appears, this book adaptation could become one of Netflix’s newest YA hits – if it plays its cards right.
Just in time for Pride, we get a large ensemble cast depicting nearly every bit of the rainbow from orientation, gender identity, and also ethnicity.
Oh, Ramona! has a mini-series vibe which makes the movie, while enjoyable, feel long.
Ma definitely pushes the idea we need more Black horror villains, but ones with villains who have better, or a less inundated, backstory.
Years and Years may potentially be one of the most memorable shows of the summer, if not the year.
Late Night attempts to address ageism, racism, and sexism, while still being funny, and throwing in a bit of romance, and buckles under such lofty goals.
Over time, you think you build up a tolerance for messed up movies and yet The Perfection will still leave your mouth gaping open.
Season 8 of Game of Thrones may contain lackluster ends for some fan favorites but ultimately reminds you the show never set out to consistently give fans what they wanted.
Season 2 of 9-1-1 avoids any sense of a sophomore slump by balancing the 911 drama you love and developing both new and old characters.
Rocketman is like a stage musical turned movie, and if it wasn’t so long and arduous, it could be perfect for both die-hard and casual Elton John fans.
A Dog’s Journey builds upon what was great about A Dog’s Purpose but now has it where the humans and dogs both have an emotionally impactful story.
Life Like may leave you with a handful of questions, but one character named Henry brings enough intrigue to forget every moment which makes you raise an eyebrow.
Premature presents a touching love story which comes off so deeply personal it’ll lead you to question if it is an ode to the writers’ first love.
Season 3 of Star is honestly a mixed bag, but when it addresses generational trauma and growth, it reminds you why you fell in love with the series.
Lucifer’s 4th season is more of the same and while it may satisfy avid fans, for those who dropped the series or are curious, it won’t hype you up for a 5th season.
The Sun Is Also A Star is a welcome change from the usual YA novel by addressing the idea of fate and taking it to task.
Extremely Wicked, Shockingly Evil, and Vile maybe words to describe Ted Bundy, but what you mostly get is his charming side – until the end.
The WTF Shorts at Tribeca 2019 all live up to the collection’s title, but not all for the same reason.
Clementine, with its score and sometimes eerie characters strings you along to what might be an unsatisfying finish.
See You Yesterday is one of those, “I wish this came out when I was growing up” kind of movies that represent there is true change in the entertainment industry.
We’re taking a huge leap, about 150 pages, which holds a HUGE amount of drama – and some good old fashion tension (partly of the sexual kind).
All of Netflix’s past teen romance films seemingly were all just a warm-up for The Last Summer.
Lost Transmissions shows the line between proving yourself as a storyteller doesn’t always coincide with delivering the intended message.
Natasha begins to develop hope, but that is met with a few realizations, particularly with Daniel’s family, which could kill things like a relaxer.
Sabrina Carpenter proves herself to be more than a name to get financing but a performer worth the ticket price.
Is a movie about a reclusive writer, with limited social skills, and a young woman, with limited life skills worth seeing? Read our review to know.
The best thing about Chambers will be its representation of Native Americans. As for the rest? Well, it may depend on how much you dig the horror genre.
In preparation for the full-length Netflix release, we checked out the See You Yesterday short available on HBO until May 1st.
Natasha finds herself stalked by Daniel, yeah it’s one of those books, but he might just be growing on her.
His Father’s Voice is the rare ode to the influence a father’s love has on a person, as well as the richness of Indian culture.
One of two things comes from Someone Great: Wanting to call your best friends and say you love them, or wishing you have best friends you could call.
We begin The Sun Is Also A Star, learning about our leads and their families, alongside random people who’ll likely be cut from the movie.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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