Billie Eilish: The World’s A Little Blurry acts as a reminder of not only the brilliance of Eilish, but of her age, frailty, and how a small team made a world-renowned artist.
Ginny and Georgia comes off like that film you wanted to be a series, and after watching the first hour, you’ll be left so happy there are so many more.
Despite the show being called Millennials, most of the jokes will feel very much rooted in the 90s – especially considering how politically incorrect they are.
Kenan feels a bit overdue and maybe for the wrong network, but there is no denying it has heart, borderline corny jokes, and makes for something you can watch with your kids.
The Map of Tiny Perfect Things is an imperfect romance film, which takes almost an hour to differentiate itself and keep you from growing tired of the film’s loop.
Is it weird to think a movie is way too long yet still be crying when it ends? That’s how we feel about To All The Boys: Always and Forever.
It’s A Sin does deserve points for slightly altering the narrative regarding the AIDS pandemic’s early years, but eventually, it’ll feel like more of the same.
Would You Rather gives you a raw teenage experience, sans the usual sex and drugs.
It’s April 2020, and all the things one could do to distract oneself while at home have dissipated, and all that’s left is loneliness. Enter Mae, who has decided to take up virtual dating.
The 16 minutes of Jason Park’s BJ’s Mobile Gift Shop will leave you demanding a full-length feature film, featuring Johnnyboy Tellem before 2021 is over.
If you thought McG’s The Babysitter series was over the top and crazy, Manuel Crosby and Darren Knapp respond with “Challenge accepted” with First Date.
Marvelous and the Black Hole, while it can come off as an angsty teenage film, it doesn’t push its lead to move on or get over it but harness that anger into something good.
We’ve all seen some version of Romeo and Juliet, but none of them compare to Carey Williams’ R#J.
Street Gang: How We Got To Sesame Street is filled with nostalgia and fleshes out your childhood memories with what it took to make you smile and learn.
How It Ends combines a drama about reconciliation before the end of the world and all the eccentric people you’d expect to see getting high before everyone dies.
Living up to its title a bit, You Wouldn’t Understand presents a story that leaves you wanting to rewatch for you swear you might have missed something.
In Lolo, you’ll feel like you are watching the childhood years of a group of friends before the time jumps to them as adults.
In It’s A Sin, we’re reminded what can matter more than the right school or job is finding your people — especially if you’re gay men in the 80s.
While you may want to applaud Marvel for trying something different with the MCU, Wandavision doesn’t seem like a guaranteed hit right out of the park.
Bridgerton on its surface can be breezy and a quick watch. However, if you choose to analyze it, it can be far deeper than a girl finding love in a newly diverse world.
Mushoku Tensei: Jobless Reincarnation is a reincarnated/transported to another world anime featuring ecchi, magic, and a notable amount of potential.
Adachi and Shimamura takes the slow and steady approach to love. Thus giving you something which may feel annoyingly slow at times, but often authentic.
In Horimiya, two high school teenagers show a side of themselves no one at school gets to see and maybe, just maybe, it might blossom into a romance.
Call Me Kat, an American remake of Miranda Hart’s Miranda, may need more time than FOX may give it to be what it can and needs to be.
Alaska Is A Drag reminds you how much hope one can have when you have someone in your corner and find people who not just accept but love you.
Shondaland takes its second crack at doing a period piece by focusing on a drama with a Gossip Girl spin and a social season in which many young ladies vie for the best bachelors.
UMC’s newest show For The Love of Jason has everything it needs, except enough episodes to not feel a bit rushed.
Based on the 1883 Italian The Adventures of Pinocchio, this version of Pinocchio is dark, maybe not the best for kids, but so weird that it’s good.
Like most Pixar films, Soul bridges what is expected from animated films aimed at children and the type of stories that can bring adults to tears.
I Remember asks you to forgive it’s lead tells, as he gets the chance to live out his dream of dating the girl who always seemed out of his league.
Promising Young Woman challenges the revenge narrative you are used to and pushes you to expect more from future stories in the sub-genre.
As with most of OWN’s “OWN For The Holidays,” First Christmas pushes new narratives beyond the Christmas formula, which might be the best one yet.
While The Christmas Lottery has many familiar storylines, between a prominently featured lesbian couple and avoiding being as corny as most holiday movies, this is one to see.
A Christmas For Mary makes it clear last year’s holiday offerings were a warm-up as clearly OWN wants to make a name for itself in the holiday movie market.
For The Love of Jason has one of the best comedy pilots you may have seen in a l o n g time.
While absolutely silly, A Christmas Surprise does deliver a fun, overtly dramatic Christmas story.
“All My Life” avoids any opportunity to develop its characters as it focuses on crafting an enviable romance.
Life In A Year will make you laugh, make you cry, and will make you reconsider previous opinions on Cara Delevingne and Jaden Smith.
Superintelligence follows the usual Melissa McCarthy movie formula, so as long as you’re a fan of hers, you’ll enjoy the film.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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