Between having a sense of culture unlike the rest of the MCU, one of the best villains, female characters who are far beyond being simply love interests and so much more, Black Panther puts the rest of the universe on notice.
Chris Rock, thankfully, brings a comedy special light on Trump and while it delves into his personal philosophies, he doesn’t turn his standup into a college lecture.
With Where’s The Money? I think it is time to evaluate whether many a Black urban comedy can qualify as being “camp” in style.
Whitney Cummings proves that it isn’t just male comedians who find a second life and flourish by taking on a dramatic role.
Little Bitches has this quality to it which makes it seem like a failed MTV pilot was made into a movie covering what the first season would cover. Minus some essential details.
Paperback will have you questioning your beliefs on marriage and relationships as you laugh at and with its lead character.
Harith Iskander’s “I Told You So” is the kind of comedy special which makes you hope Netflix snatches Iskander up and offers him more than additional special, but perhaps a show.
Katt Williams: Great America won’t make you think Katt Williams hasn’t missed a step since his height in 2008/2009, but his set will bring enough nostalgia to see you through till the end.
Freak Show moves past your usual coming-out story and focuses on how to gain tolerance or acceptance, thus presenting a more interesting narrative than often seen in LGBT-focused films.
While I don’t see plays often, I figure why not crack open another section as I try to get out more. Now, focusing on Familiar, as with past Danai Gurira plays, like Eclipse, the focus is strongly about being totally African, yet there is this small desire to look at what American has and does….
Depending on how you look at it, either this is a show about trying to understand people and acceptance or how tolerance only goes so far as you are an asset, or convenient to those in power.