The Bold Type: Season 3 – Summary, Review (with Spoilers)
The Bold Type remains a flagship program for FreeForm as it explores mature takes on relationships, continues to develop the ladies, and addresses workplace issues.
The Bold Type remains a flagship program for FreeForm as it explores mature takes on relationships, continues to develop the ladies, and addresses workplace issues.
Despite seeming like a horror film, one which pushes you to expect the worst, Whiteout is surprisingly a really good comedy.
Featuring Trinkets star Brianna Hildebrand, Momster seems less like a short and more like an extended clip from a finished movie – in a good way.
Snaggletooth was the overall best short of the WTF series and the reason why we’re breaking out many of the top shorts from TFF 2019.
In one movie, Child’s Play (2019) does what the original franchise consistently attempted to do: Be both horrifying yet comical.
UMC (Urban Movie Channel) announces acquisition of Coke Daniels’ His, Hers and The Truth with a December release date on the service.
From what it appears, this book adaptation could become one of Netflix’s newest YA hits – if it plays its cards right.
Murder Mystery is probably the best Adam Sandler comedy in years, at least in terms of story.
Shaft (2019) somehow balances being modern, funny, old school, and a bad mother****er without losing a beat or pushing you to check your watch.
Just in time for Pride, we get a large ensemble cast depicting nearly every bit of the rainbow from orientation, gender identity, and also ethnicity.
A new serial killer is born and this one wasn’t created thanks to a bunch of teens, but due to a handful of drag queens.
With Alex Lawther’s charm not fully engaged, Old Boys makes it difficult to invest in his character, or any others, and becomes draining.
Oh, Ramona! has a mini-series vibe which makes the movie, while enjoyable, feel long.
Always Be My Maybe is definitely longer than it should be, but that doesn’t take away from the light comedy, cute romance, and moments which may make you tear up.
Years and Years may potentially be one of the most memorable shows of the summer, if not the year.
Late Night attempts to address ageism, racism, and sexism, while still being funny, and throwing in a bit of romance, and buckles under such lofty goals.
Thanks to a slight 80s vibe, and the chemistry of the cast, Rim of the World is an entertaining feature which definitely is in tune with Netflix’s brand.
While an absurd comedy, Loners contains just enough heart, and twists, to see you through until the end.
Once Sykes gets past the obligatory Trump commentary, she finds a really good groove. But does she make this feel like a special?
Live in Front of a Studio Audience: Norman Lear’s “All in the Family” and “The Jeffersons,” brings on the nostalgia and, for the most part, revives the spirit of the source material.
It’s Bruno certainly has its moments, but without much in the way of character development, is it worth watching?
Similar to BONDiNG, It’s Bruno is an offbeat comedy which produces a few chuckles and a few raised eyebrows.
Booksmart may make you feel representing characters like Amy and Molly isn’t enough anymore and that it doesn’t do justice to its supporting cast.
A Dog’s Journey builds upon what was great about A Dog’s Purpose but now has it where the humans and dogs both have an emotionally impactful story.
Season 3 of Star is honestly a mixed bag, but when it addresses generational trauma and growth, it reminds you why you fell in love with the series.
Lucifer’s 4th season is more of the same and while it may satisfy avid fans, for those who dropped the series or are curious, it won’t hype you up for a 5th season.
Amy Poehler takes a page out of Adam Sandler’s book and has a vacation with her SNL friends, paid for by someone else and made just for her audience.
While there is a bit more innuendo than you may expect, Pokémon Detective Pikachu may just be the rare exception to video game/ card game crossovers.
While comical at times, Rebel Wilson’s style and Anne Hathaway’s, when it comes to comedy, more so clashes than compliments one another.
Season 2 of Fleabag presents us a character who hit rock bottom and it trying to find her way back to the light despite her past.
The WTF Shorts at Tribeca 2019 all live up to the collection’s title, but not all for the same reason.
Zoey Deutch kills it as Peg and leads you to question why doesn’t Buffaloed have a distribution deal yet? Particularly with Netflix.
In a strange twist, Rogen ups his game to what you’d expect from Theron, and while he maintains his comedic style, he also veers towards being a more serious actor.
Is a movie about a reclusive writer, with limited social skills, and a young woman, with limited life skills worth seeing? Read our review to know.
Bonding starts off very weird, and potentially niche, but it has the potential to break out of that.
One of two things comes from Someone Great: Wanting to call your best friends and say you love them, or wishing you have best friends you could call.
Thriller works better as a comedy than anything remotely close to a horror, and as long as you come in knowing that you should be fine.
While reimagining classic films usually deserve a side-eye, Little brings something completely new and leaves you feeling like it is long overdue.
Season 2 of On My Block loses a bit of the luster the first season had but remains a loveable staple of the Netflix library.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.