This Is Me… Now – Movie Review and Summary
Seemingly inspired by Jennifer Lopez’s own journey to find her forever love, “This Is Me… Now” encapsulates Lopez’s past in a way that could cause mixed feelings.
Seemingly inspired by Jennifer Lopez’s own journey to find her forever love, “This Is Me… Now” encapsulates Lopez’s past in a way that could cause mixed feelings.
“Double Blind” is an intriguing experiment for viewers, but it wavers between making you a thrilling participant and passive observer.
“Players” has all the workings of a multi-season sitcom squeezed into a less than 2-hour movie.
Keir O’Donnell’s “Marmalade” is a madcap heist movie with plenty of charm and originality to boot.
With recently hitting 30, Taylor Tomlinson is past her quarter-life crisis, but even with great career success, she clues us into whether her personal life could catch up so she can have it all.
In this campy horror-comedy, a young woman who just immigrated to England, got dumped and, alongside her co-workers, decides to get playful revenge, but things turn deadly.
CBS introduces a new episodic show that follows the beat of many that came before it, and that could be what allows “Tracker” to become a mainstay or a show that soon fades into the ethos.
Life goes from bad to worse in Nicola Peltz’s messy directorial debut, “Lola.”
A revenge plot featuring what looks like humanoid ninjas, set in the near future, is what we’re introduced to in the premiere of “Ninja Kamui.”
“Skeletons In The Closet” may make you curious, thanks to the inclusion of Terrence Howard and Cuba Gooding Jr., but it lacks anything to justify your initial interest.
At a pajama party, everyone comes together for a game that goes a little too far.
Andrea Bang stars in “Float,” which puts a dry romance front and center over all the ways this could have been intriguing.
Netflix’s “Orion and the Dark” is a colorful display of our childhood fears and a movie Pixar wish it had made.
“Played and Betrayed,” featuring “House of the Dragon” actress Savannah Steyn is in line with many of Tubi’s offerings, for better or worse.
Many films claim to be a sex comedy, but “Sex-Positive” truly lives up to its name and title of the subgenre.
A short recap/review of The Witch and The Best: SEASON 1/ EPISODE 4 “Beauty and Death: Opening Act” starring Toshiyuki Morikawa, Yō Taichi, Saori Hayami and Ryōta Ōsaka.
While “Upgraded” is predictable and doesn’t pursue standing out, it is enjoyable if you allow it to be.
“Calamity Jane” feels like 90 minutes of people doing cosplay.
“Lisa Frankenstein” doesn’t merely ride the wave of Frankenstein-type movies but carves out its own little niche thanks to the combination of those in front of and behind the camera.
While it hones in on the comedy, “Scrambled” also recognizes the societal pressure to have kids and a family, and having things figured out by a certain age can trigger a meltdown.
For an hour, we spend time with Mona, who, with Microsoft David, walks us through some of her recent struggles and the salve of having people there for you when in a dark place.
Another person who obviously shouldn’t have been cast is eliminated, as Tommy brings on one person, and we get our second self-elimination of the season.
As all the singles come together, we’re reminded that anyone who gets too serious or asks what can be considered hard questions doesn’t know how this game is played.
Growing increasingly comfortable with one another, Mr. and Mrs. Smith find themselves in an odd position during their latest mission, leading to unexpected intimacy.
While the name is familiar, nothing seems recognizable in this version of “Mr. and Mrs. Smith.”
Jenna Ortega matches wits with Martin Freeman, in a movie that has them blur the lines between student and high school teacher.
Daniel Hoesl and Julia Niemann’s dark satire “Veni Vidi Vici” begins with an extreme premise and no where else to go afterwards.
“Rob Peace” brings you into the world of a brilliant young man whose love for his hood may end up being his downfall.
Astrid Rondero and Fernanda Valadez’s “Sujo” is a beautiful, quiet Mexican film about a boy trying to escape the dangers and trauma of generations.
Mikko Makela’s “Sebastian” presents sex work in a curious and empowering light that we rarely see on screen.
In a movie that may have more scenes of landscapes and walking than dialog, viewers are pushed to notice the subtle shift in dynamics between a father, daughter, and the father’s odd friend.
Like most Sci-Fi movies void of action or suspense, “Love Me” feels longer than it needs to be, leading to its highlights becoming muddled.
Shuchi Talati’s “Girls Will Be Girls” is a gorgeous labyrinth of womanhood and mother-daughter relationships that should not be missed.
“Trunk – Locked In” reminds you of one of the many irrational fears a person can have, and why not prepping for the worst and hoping for the best can mean whether you live or die.
“In The Summers” is an almost bittersweet look at the relationship between a father and his daughters, as you question if his imperfections may sour their relationship to the point of abandonment.
Sean Wang’s “Didi” is an impressive and intimate visual diary of teen life in the early 2000s.
“Beautiful Wedding” exists because there is an audience more than it has any desire to move the story forward or mature its characters.
“Exhibiting Forgiveness” might be a challenging watch for anyone who has a less-than-ideal relationship with a parent, especially if drugs and family violence is why.
Sofia Vergara sheds away her well-known comic shtick for something far more serious with “Griselda,” which struggles to find her a good scene partner.