Belly finally makes a decision regarding not only her romantic life but moving forward beyond that, as Laurel is pushed out of her comfort zone and Taylor is forced to admit something to Steven.
“Birth/Rebirth” in using death as the villain, and humanity as morally grey, gives you an engaging horror film that isn’t dependent on blood, guts, and violence to keep you watching.
It’s that peculiar time of “Ready To Love” when cast members meet the exes and more often than not, it blows up in the other person’s face.
“The Monkey King” is like its title character: a whole lot of style with very little substance.
Landscape with Invisible Hand starts off strong when focused on the humans dealing with an alien invasion. However, once the aliens become a prominent part of the film, it’s hard to maintain interest.
“Ruined” fits the bill of the crazed light skin person whose desires for one half of a married couple lead to them becoming so crazy they are willing to kill.
As Jodie is finally told the truth, he questions what to do with it since he doesn’t wish to make money from it but isn’t necessarily trying to step up to become a prophet – yet.
As word spreads about Jodie and the truck accident, his mom begins to get antsy and thinks it might be time to go on the run again.
Peter Berg’s “Painkiller” is a loud and flashy depiction of the grim opioid addiction in the United States. It can be painful to watch for the worst possible reasons.
“The Chosen One” could very well be a means to hold over fans of shows like “Stranger Things” for while it may not focus heavily on nostalgia, it does give you the kind of group of kids you’ll want to invest in, especially as supernatural things begin to happen.
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