Saturday Church – Recap/ Review (with Spoilers)
Saturday Church may have hit or miss musical elements, but Luka Kain and company present a film which sets a precedent for the upcoming Pose to follow.
Discover our top picks and latest reviews spanning from blockbuster hits to indie films, shorts, and festival premieres across various platforms.
Saturday Church may have hit or miss musical elements, but Luka Kain and company present a film which sets a precedent for the upcoming Pose to follow.
Freak Show moves past your usual coming-out story and focuses on how to gain tolerance or acceptance, thus presenting a more interesting narrative than often seen in LGBT-focused films.
If you’re a fan of Taraji P. Henson, you’ll enjoy Proud Mary, if not, this will not be the film to win you over.
The Commuter may just be the film which defies the idea January is a dumping ground for movies not bound for the Oscars.
Though you can easily forgive Blame because the heart of the story is so good, once you start really taking note of all that is going on, you realize it might not be as good as it seems.
The Light of the Moon presents a layered, multi-faceted look at the life of a rape survivor and how that assault changed nearly everything in her life.
Happy Death Day is a surprisingly good horror movie, until the killer and their motive is revealed.
Sean Baker shows himself as perhaps one of the few noteworthy director/writers who seriously have his own style you cannot quickly and easily compare.
I, Tonya may help build up Margot Robbie’s filmography, and get Alisson Janney major awards, but it’ll also may bore you senseless.
Setting aside Louis C.K.’s public issues, arguably the film presents a rather interesting and timely conversation about women’s autonomy and consent.

The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.