Godzilla: City on the Edge of Battle – Recap/ Review (with Spoilers)
Godzilla: City on the Edge of Battle may lack quality battles but it does present the issues between factions which will affect a post-Godzilla world.
Due to this movie having a few quirks, of which may work for some and for others be a problem, we believe your enjoyment of this movie will depend on your taste.
Godzilla: City on the Edge of Battle may lack quality battles but it does present the issues between factions which will affect a post-Godzilla world.
Fireworks is a prime example of why namedropping another film in the advertisement probably should be seen as a giant red flag.
You know how in school, or at work, someone said “That person needs to get laid” as if that would fix everything? That’s the premise behind Set It Up.
I want you to imagine a 90s rap video with a big budget and an intro which goes on forever. That part of the video sums up Superfly.
A Kid Like Jake focuses less on the subject matter and more on the parents trying to navigate how to raise a kid like Jake.
Alex Strangelove is a frustrating movie for while you want to support the message and journey, then you think about the collateral damage.
Consider Hotel Artemis a vehicle for Sterling K. Brown and you’ll enjoy it. However, if you were expecting a compelling crime movie or something funny? Prep to be disappointed.
Oceans’s 8, while enjoyable, pushes the idea that Hollywood still doesn’t trust women’s box office abilities, no matter the talent involved, so they’d rather gender bend long-dormant properties.
While you understand the point Fahrenheit 451’s tries to make, it seems in the pursuit of making a point it was forgotten to make the film entertaining.
The Cured brings to question what would happen if zombies actually became cured and there was a movement to reintegrate them into society – as a subclass of humans.
On one hand, The Kissing Booth can be seen as a conversation on a young woman’s autonomy. On the other, it is a simple, sweet, and kind of cheesy romantic comedy.
Breaking In is one of those films which will only be as good as the audience talking through it.
Like most period dramas, the score is sweeping and acting is pretty dry, but Fanning’s charm and Sturridge and Booth’s theatrics will keep you from falling asleep.
All These Small Moments gives you a taste of so many great stories and leaves you hungering for more from each one.
As Adam Sandler seemingly tries to combine his style of comedy with his more appreciated dramatic works, we get the very rough The Week Of.
Batman Ninja’s beautiful and intricate art is wasted on a story which is not only dull but perhaps features more mecha action than ninja/samurai styled fights.
With sequels being talked about or confirmed, so dies some of the tension of Infinity War. However, at least Marvel is learning how to make better villains.
Slut In A Good Way is a forgettable comedy which doesn’t bring anything new to the slut conversation or bring about some sense of sexual empowerment.
In a Relationship tones down the dramatics of young love and while the lack of dramatics does make the film eventually feel dull, it also makes it one the most honest depiction you’ve seen in a while.
29 to Life may feature one of the most unbelievable romances (not in a good way), but the charm of its female lead might just be strong enough for you to stick around.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.