The Starling Girl (2023) – Review/ Summary (with Spoilers)
Coming of age in a religious setting is hard, for what coastal cities may see as natural impulses, a conservative community in the Midwest would call those sin.
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Coming of age in a religious setting is hard, for what coastal cities may see as natural impulses, a conservative community in the Midwest would call those sin.
Emma Roberts and Luke Bracey act as Trojan horses for a movie about love, companionship, and marriage after 60.
If Teyana Taylor is going to give up on her music career, the gift of her performance in “A Thousand And One” makes up for it.
“Shortcomings” desires to push back against the spectacle of representation as it dives into the day-to-day conversations of an unlikable lead.
“Fear” might be creepy enough to make you uncomfortable, but something about the writing and performances may make you cringe.
In this epic exploration of an Iranian Mother and her American-raised daughter’s relationship, you get a story that feels like a friend revealing a recent discovery of their family history to you.
“Fancy Dance” may have a name that makes you think you’ll watch something lighthearted, but as it dives into indigenous people’s continued injustice, you only get that in doses.
“Little Richard: I Am Everything” is more than a documentary on the architect of Rock n’ Roll, but an Ivy League course, shrunk to a little over an hour and a half, about his social and musical impact.
“Sometimes I Think About Dying” is a dry and awkward romance that sometimes has moments of sweetness but is often tiresome to watch.
“Mutt” is part of the new wave of LGBTIA+ media which moves beyond the coming out and trauma often associated with that, and explores that period of adjustment once the dust settles.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.