6 Comments

  1. It’s rather subjective my opinion. When it came to your take, I do feel it wasn’t so much cynicism but taking in, as a whole, not just the books but history at large. I’m looking at what is entertaining but rooted in realism – if not that is what I enjoy so that is why I was kind of iffy on your version of events.

    With Nick, I feel a third option may need to be introduced: The tone. This show tries to make things very hush and in whispers. Makes things feel, for a lack of a better term, understated in a way. With that, some flourish and others feel almost muted in a way, like Nick. So the charm and roguish personality gets snuffed out because it doesn’t fit the way the universe is crafted. For even in terms of humor, nothing is really able to be funny. Like we saw in Luke’s apartment, jokes are something used to laugh to keep from crying or as a sign mentally you are still there but just a little bit cracked.

    In terms of him being less competent at his job, I look directly at the writing for that. If anyone was truly competent, on a Aunt Lydia level, in this show, it wouldn’t make sense for it to be more than 2 seasons. Nick being good at what he does and reporting Fred and all that, the fall of Gilead would have begun or be finished by now.

    You make an excellent point about the colonies! How are you going to be there for months and not be affected? They were drinking toxic water, bathing in it, and at most maybe Emily’s skin got a bit affected? Though it could just be how makeup does the actress.

    But, as I think we said in previous correspondence, one of the issues with this show is it never gets too deep into either world building or character building. It presents locations, but doesn’t go in depth. We are introduced to characters, but until they say or do something major, most of them are just going through the motions of life.

    Hence why it is both frustrating for someone like me with no previous knowledge and someone like you who read the book and saw the movie. While this adaptation has its merits, it is simplified and relies on the media machine to make things seem more important and deeper vs. just bringing that complexity from the start.

  2. Fair enough. Perhaps I should stop complaining about repetition of tired plot devices and missed opportunities if I can’t come up with a more compelling substitute for them?

    Perhaps my take on revolutions is too cynical, informed by my reading of so many historical cases (as in The Russian Revolution, The French Revolution and Cuba) which were conducted in ways that caused unnecessary loss of innocent life… but you’re correct in thinking that despite these historical precedents, a better way is possible and perhaps it’s well the show reflects that, in that it can show what it’s FOR and not just what it’s AGAINST. Still, I was disappointed that it introduced a suicide bombing that entailed the loss of civilian life (the whole reason Emily and Janine were recalled to duty is because a significant quantity of Handmaids were killed in the bombing) and didn’t explore the ethics of collateral damage in any meaningful way.

    Why do you think certain elements that should’ve been compelling wound up disappointing? I’m racking my brains trying to figure out why Nick isn’t as compelling a character as he should be. Is it the writing or the acting? Him getting a larger role in my scenario was largely based upon my impression of the character in the novel, where he came across as a charismatic figure with a roguish charm and sharp wit. But that version of the character was also somewhat older and more worldly-wise. I can understand the demographic appeal of making him younger, but what was the point of removing the sense of humour that made the original character so likeable? Also, why depict him as less competent at his job than he is in the novel? I mean, can you imagine how different much of the show would feel if Nick was a character you could like?

    (also, I can’t believe I didn’t mention this before, but given Minghella’s mixed Chinese and Jewish ancestry, good for diversity though it may be to cast a person of colour as Nick, it makes the plot of passing off Nick’s child as Fred’s less plausible)

    The Colonies should’ve been fascinating. But they weren’t. Why? Because there’s so much we weren’t told. How did the environment get this bad? What was it like before? What is the plan for this land once it’s cleared up? But most of all… how does being a prisoner or being a guard/warden here affect people psychologically. I think the colonies could’ve been an interesting subplot if all of the above were explored. But we never got to meet the staff or even know the inmates that well. Emily and Janine don’t change all that much as a result of their experiences, either emotionally or physically (their lack of health problems as a result of their imprisonment being one of the most implausible aspects of Season 2) and we never get to see how Holly coped with being sent there.

    “One step forward, two steps back” seems to be the MO for this series. For every great idea there’s a missed opportunity

  3. Kind of no? I enjoy the idea of June becoming a commodity between two different anti-Gilead factions and how that would make Luke and Moira seem more important than they did this season. Yet, it doesn’t really address Hannah and it would mean cutting out that one moment Aunt Lydia opened up, Serena Joy getting to take command and seem far more complicated of a figure than we’ve seen, and making it where the only one in suburban Gilead who would benefit being Nick. Someone who neither of us are strongly fond of. So imagine him becoming even more of a focal point.

    Yes, in your world it would also mean Eden wouldn’t be around, taking away one frustrating thing about him, but it would add us having to be invested in his safety as a double agent. Plus, one of the things which made Commander Lawrence interesting was his short relationship with Emily and being the economic architect of Gilead yet caring very little for its rules. And while him being a resistance leader, informant, or tool would be quite interesting, there is the need to question if he even goes to meetings and things like that. Was he at the council meeting Serena Joy went to? I’m sure they would have focused on his reaction if he was.

    As for Emily and Janine? I think more would be needed to make the colonies an interesting place to revisit. Be it keeping Emily’s backstory being gone into, or adding Janine’s in there.

    Overall, I do see the value and how it come be entertaining, but it’s one of those things which I’d need to visually see to get the full value of it. For comparing it to what we spent weeks with to something I read in a few minutes, my frustration with this season is there but there is hope. With your take, it seems like a fight against the powers that be in Gilead is far more futile.

  4. I first read the novel 20 years ago, so I’ve had plenty of time to speculate on the eventual fate of these characters. Here’s what I imagined the storyline would be for Season 2. Tell me if you think it’s any better than what we got…

    June successfully escapes to Canada, where she gives birth and then reunites with Luke. The two endeavour to rebuild their relationship, but this proves harder than either anticipated because June is suffering from PTSD as a result of her experiences and though Luke tries hard to be a good father figure to baby-Holly, the child’s presence in their lives serves as a reminder to him of painful memories he has tried to repress. The couple see a therapist, who urges June to write down her experiences. Moira offers to publish this testimony as part of a wider campaign of activism against Gilead. June finds herself torn between different factions of the activist community… some believe that the best way to bring down Gilead is through a combination of media exposure and economic pressure… whereas other activists are calling for military intervention and arming anti-Gilead terrorist cells. Both groups see June as a commodity they can use for propaganda purposes and she’s not sure whom she should support.

    Meanwhile, back in Gilead… Nick, in order to save his own hide, rats out Fred to Commander Pryce. By this time, the letters from Jezebels have gone viral, and the Gilead leadership need a scapegoat for the corruption at the top. So, following a public show-trial, Fred is executed. Because Serena knew about Fred’s activities and didn’t report him, she is condemned as an accomplice.

    Commander Pryce reassigns Nick to spy on another suspected subversive, the reclusive Commander Lawrence… Nick discovers that Lawrence has been feeding information to the resistance and foreign powers. But what Nick can’t figure out is wether this is because Lawrence is madly lashing out at a society that failed to live up to his expectations, or if its a calculated scheme to use the government’s enemies as pawns to take down his political opponents so he can seize power… of course, it has already been established that Nick is a double-agent, spying for Pryce but also spying for the resistance… the resistance (with Lawrence’s help in providing info on security) orchestrate a suicide-bombing at the opening of a Handmaid Centre, which resulted in civilian deaths. It becomes clear to Nick that his resistance friends have no qualms about collateral damage, and he is forced to finally decide if the ends justify the means.

    Emily & Janine live out the rest of their days in the colonies. Over time, the prisoners develop a community spirit despite the miserable hardship of their existence and the two women overcome their initial antagonism and learn to love each other.

  5. Don’t get me wrong, I like this series. It is just frustrating because you know a lot of things that happen, especially in regards to how you describe the book and movie, just make this seem watered down. As if, to not be too graphic or too dystopian, they don’t wish to add in the racism, have June really be punished or maintain a lot of the status quo the book has.

    Plus, as discussed, they are really stretching things out. Like, in my mind, I fully see season 3 being about June either joining the resistance, somehow, or else just being focused on getting Hannah. Yet, considering how limited women are, there comes the question of how? There are guardians everywhere, homeless people don’t exist, and only econopeople women move freely and I doubt they are just going to take her in and let her be one of them. The woman just stole a baby and is a fertile handmaid. The level of wanted she is makes it so there will be no kind of peace. Add in she left during perhaps one of the most chaotic nights in Gilead? At least the Gilead we know of? If season 3 doesn’t set up an end game for season 4, this show is going to jump the shark.

    And I thank you for commenting. In another post someone noted how it was like watching the show with a friend and your commentary has really been what has kept me going just to hear your thoughts and have a bit of back and forth.

  6. I’ll try and answer your questions… but first, thankyou for taking the time to blog about this often infuriating series. Given your generally negative reaction to Season 1, I was surprised you bothered watching Season 2 at all. But your commentary has been thought provoking and entertaining.

    In the book it is established that women are not allowed to read, except enough to understand basic things like street signs and the labels on food cans and such. But men are allowed to read any book that is approved by the government. Certain books are blacklisted, so even men caught reading them are punished and the physical copy destroyed. But yes, girls are taught about the Bible (or rather the government approved interpretation of it) by male teachers and male priests. All men are allowed to read the Bible.

    In the book, Aunts are allowed to read. It is one of many privileges their class enjoys which other women do not. It is implied that women who demonstrate a high level of intellectual acumen are eligible for Aunt positions and recruited by the regime to keep the lower orders in check.

    In the book, the government is not open to supplications from any member of the public, and certainly not women. Like most totalitarian societies, it is a closed circle in which the elite ruling class make decisions without any outside influence… nothing like what Serena does in this episode (call it a “petition”, call it a “protest”, whatever) happens in the book, because the government simply wouldn’t tolerate that kinda behaviour. She never would’ve got a foot in the door, let alone be allowed to talk in such a blatantly defiant manner.

    Which brings me to my main problem with this series as it stands now. As you said, the writers have the characters fall into repetitive patterns of behaviour, that are predictable, as well as transparently manipulative. But on the few occasions they break from these patterns, they do so by having the characters do things that seem utterly foolhardy, or inconsistent with their established personality. Or else they’ll throw in random events that shake the coherence of the series universe… this episode is full of characters doing dumb things, when I thought they should know better, seemingly just for shock value. Surely Serena should’ve had enough smarts to plead her case with more subtlety? Surely Emily would’ve had the smarts to be less sloppy in killing someone? The only one NOT behaving irrationally in this episode is JANINE, the supposedly crazy character you’d expect to pull this shit.

    As for the ending – it looked like June flipped her lid and suddenly decided to go back to fight (presumably she hopes to somehow hook up with the resistance and help them blow things up)… but given the number of people who’ve risked their lives or died in trying to help her escape this season, I actually felt angry she turned back. Probably not the reaction the writers intended.

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