As Molly hits another wall in her sex journey, her body gives her another reminder that she has a time limit to complete her goal of having an orgasm with another person.
As Molly starts to explore what’s out there, beyond her marriage, she finds herself enamored by all the sexual possibilities.
While cancer may not be the topic most may run to for a new show to watch, “Dying For Sex” presents itself as an exception and exceptional.
Season 2 shows progress from the growing pains of season 1, but still seems a bit bloated and like it undertilizes its potential.
While the rift between the past and 2015 grows to the point of becoming an issue this season, “Tell Me Lies” still finds ways to deliver enough drama for you to hope that season 3 could maybe learn from the mistakes of season 2.
“Tell Me Lies” ends its second season leaving you to question why is episode 8 the season finale since everything doesn’t get wrapped up.
Season 2 ends on a less shocking note than season 1, but also a bit more emotional than season 1 as well.
Shanelle takes the stand for her trial and JT’s first victim, Eboni, tells her story.
Stephen makes a revelation about Lucy as Wrigley and Pippa have an intimate moment that he ruins to the point of you worrying about his safety.
It’s Thanksgiving and in Evan’s pursuit of maybe getting Bree back, everyone comes together, exes included, and the holiday becomes dramatic.
As Shanelle, once again, casts doubt on what happened the day JT died, Jax tries to figure out how to move forward after Lewis’ reveals and monologues.
Shanelle’s trial has Toni come to the stand as Jax handles how Toni has blown up her marriage.
Sadie and Lydia come visit, and with that you see the possible reasons why Stephen and Lydia ended up together.
As Adrian reveals notable information, Lewis’ secret becomes harder to keep, and we learn that Corey may have his own secret.
As Bree begins to get more from Oliver than sex, and Evan moves on, Lucy is forced to address her trauma and Diana the possibility that Lucy isn’t as crazy as Stephen has pushed.
Natasha Rothwell, known for Kelli in “Insecure” and Belinda in “The White Lotus” stars in a show that may have a depressing foundation, but you can see all the opportunities to find ways to laugh to keep from crying.
Despite Shanelle’s trial finally beginning, only one moment of it is worth taking note of as Lewis’ deals with what was revealed in the last episode.
Grace, effort, and accountability come into question with each relationship, during or post-college, as everyone continues to struggle with who they spend time with.
As weeks pass and Shanelle’s trial draws closer, trying to find ways to make sure she doesn’t stay in jail increasingly become tricky.
Bree and Evan have a fateful conversation as Lucy and Diana find themselves strangely on the same page about something.
“Tell Me Lies” returns and presents us with more potentially messy situations as we’re reminded why so many people should just be single.
As Corey’s intentions behind defending Shanelle are revealed, we get a bit more about Lucy and understand what Shanelle was thinking.
Jax is tested regarding her abilities to let go as she has to allow Corey to run her case, and take some accountability in her marriage, and let go of what Lewis did or didn’t do.
“Reasonbable Doubt” returns without skipping a beat as it addresses the events of the season 1 finale.
The Hulu documentary “The Contestant” conveys what happens when you take reality TV to its extreme.
As two friends seek out prom dates to hold up a pact they made as kids, you watch a film that seems as beholden to the familiar as its leads are to their promise.
“The Greatest Hits” brings visuals to the saying, “Music moves you,” as a woman is repeatedly transported through time when triggered by songs that hold memories of her deceased ex.
Joey King of “The Act” leads yet another mini-series that shows you the versatility of her talent.
Imogene lost her mom when she was 11, and both at 11 and 29, a man named Rufus finds himself part of a murder investigation she is at the center of. It is just, this time, she is the accused rather than a witness.
“Safe Home” is a 4 episode series about family violence that can be a challenge to watch but reminds you these stories are more than just content.
Jake Johnson’s “Self Reliance” is the type of original and breezy comedy more studios should be making.
While “Black Cake” does have its lulls, when focused on the lead character’s children, outside of those two, you have one of the best Hulu releases, if not shows, of the year.
In the season finale, since there is stuff left over for a second season, Eleanor story ends and so many others begin.
Mia Isaac returns as the year between Covey leaving Scotland and reuniting with Gilbert is filled, and answers what led Mabel to be snatched away.
As Byron breaks free of his parents pushing him to play and live life safe, Mabel finds herself being challenged to deal with all her parents hid from her.
We’re introduced to Eleanor’s secret child in this episode and get to see more of Byron’s relationship with Lynette.
As we conclude Covey’s tumultuous time in life, before motherhood, Benny’s 8-year absence is explored from start to finish.
Hulu’s “The Artful Dodger” is an unnecessary spin-off of “Oliver Twist,” but great characters and acting make it fun escapism.
As Covey tries to adjust to the name Eleanor, she finds herself unable to shake who she is, and when another tragedy strikes, it might be what helps keep her sane.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
Welcome to Wherever I Look, your go-to destination for insightful and personable reviews of the latest TV episodes, movies, and live performances. Also, dive into our character guides and discover what’s truly worth your time.
