Mindcage (2022) – Review/ Summary (with Spoilers)
In this supernatural crime thriller, Martin Lawrence may not take a career turn like his peers, but he does find himself in one of his best productions in years.
In this supernatural crime thriller, Martin Lawrence may not take a career turn like his peers, but he does find himself in one of his best productions in years.
While it reaches levels of ridiculous that may make you roll your eyes, you’ll be chuckling throughout all “Divorce Bait” throws at you.
The innuendo-filled “Christmas with The Campbells” is not a family Christmas movie but could be good for the adults to watch or listen to while getting things ready or cleaning up.
While there are times when the drama of Tess’ life makes this tedious to watch, by the end of “Dear Zoe,” you’ll nonetheless find yourself potentially in tears.
“Stars At Noon” leans on Margaret Qualley as a crutch, to the point of you imagining it bending and damn near breaking by the end of the film.
The slow burn that “Stay The Night” delivers a different kind of “Meet-Cute” story that makes every awkward and frustrating moment worth it.
While many films romanticize having long-lasting friendships, “The Razing” reminds you of the trouble that comes from people knowing the worst about you.
While “Margaux” has visual effects not up to the grade you might be used to, the cast and story will keep you around until the end.
“About Fate” is a cute and simple romantic comedy with minor dramatic elements that has the potential to make you swoon a bit.
As long as you start “The Harbinger” recognizing it is an indie movie, not a big-budget production, you can forgive its flaws and enjoy what is given.
“Into The Deep” lacks the level of mystery needed to make its small cast flourish.
In “The Immaculate Room,” a couple is challenged with being together in a room for 50 days with no distractions, and it unfortunately is as boring as it sounds – but it didn’t have to be.
While over a decade past any fathomable need for it, “Orphan: First Kill” does remind you why the original film was controversial and notable.
Insecurities and vying for a married man lead a young woman on a journey of sexual exploration.
While the beginning of “No Way Out” gets you wrapped up in its leads’ love affair, once it transitions from being a romance, it is all downhill – right off a cliff.
In this dramedy, an act of revenge becomes a lucrative business that may not test friendships but does lead to unexpected consequences.
“The Wheel” questions whether love can heal someone with unresolved trauma who may not know what they have until they are about to lose them?
While it won’t become a definitive Juneteenth movie, “Block Party” makes for a wonderful family dramedy with Juneteenth acting as a featured part.
In “The Lost Girls,” legendary literary figure Peter Pan is used as an entry point to talk about generational trauma, mental illness, and feeling disconnected from reality.
“First Love” tricks you by focusing almost equally on the male lead’s parents as they do on the advertised relationship.
While you can tell there should be a deeper story at play, “Wyrm” feels like it is missing the scenes/ details meant to bring you to tears.
As They Made Us is an ode to children with complicated relationships with their parents, who stuck by them even when they knew, and were told they shouldn’t.
Moon Manor is a beautiful, quirky film that discusses the serious topic of death in a way that still manages to be lighthearted and comedic.
Expired will likely be one of the most dreary films you could ever see that didn’t involve watching someone be traumatized.
Family Squares is the kind of film which will make you laugh, cry, and maybe even call your family – including members who get on your last nerve.
While Help does make you raise an eyebrow about what’s going on, I wouldn’t say the ending gives you the payoff you desire.
Student Body is bloody, vulgar, and ridiculous. But whether or not it is in the best way? That’s hard to say.
Until We Meet Again is a little bit all over the place. Mainly due to how it plays with the different genres it pursues.
In Stop-Zemlia, it feels like you learn so much yet so little, but considering the constant shifts in friendships and self-image as a teenager, it is almost fitting.
At times confusing, but often disturbing, The Free Fall is a horror movie best watched at night and alone.
While Scattered is a straightforward thriller, which gives everything away in the trailer, it is nonetheless entertaining.
See For Me gives you a quality, one-location thriller that forces you to have complicated feelings about the lead, despite them being legally blind.
What She Said presents a broad focus on rape as it covers how the survivor feels, those who were there, and what should be done throughout the aftermath.
Zone 414 may have all the fixtures of an intriguing sci-fi mystery, but it fails to live up to its potential.
Charming at times, while sometimes making the mute button necessary, It Takes Three keeps you engaged despite knowing how it will likely end.
While the white girl jokes do get excessive, She Ball does make valuable points if you can get beyond its humor.
Is it impossible for a group of teen friends to not have at least one love triangle drama?
A guide for the film “Masquerade.” Noted are cast members, information about their character(s), and additional details about the film’s story and characters.
Masquerade is the type of film which heavily relies on its ending to make up for nearly the entire movie.
The overall goal of Wherever I Look is to fill in that space between the average fan and critic and advise you on what’s worth experiencing.
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